28 x 38 cm
A rich and isolated region, El Catatumbo is located near the border with Venezuela. Different groups fight over its gold and oil, while narcotic plantations have exploited the region over the years, provoking massacres, displacement, and migrations amongst its native populations. Nohemí Pérez’s skillful and eloquent watercolors, titled Apuntes para panorama Catatumbo , testifies to this aspect of Colombia’s history that has been veiled by other equally pressing political issues. For an extended period of time, Pérez has collected diverse visual documents, such as press images and school books that are at the core of the imagery for these works, and operate as an active register of the convoluted history of her native region. These watercolor on paper works stand as sketches for Panorama Catatumbo , a series of large-scale carbon drawings on canvas that reference 19th-century panoramas. By creating an environment, the series evidences the colonial take behind a spectacular and exotic vision of the so-called New World, at the heart of which Pérez camouflages contemporary scenes of war and violence.
Nohemí Pérez speaks about her pictorial practice as being born out of the necessity of preserving a landscape that has been affected by war. Coming from a region that was deeply touched by the Colombian armed conflict (El Catatumbo) her work engages with the inscription of violence in bodies and nature. Be it that she catalogs endangered tree species, or that she portrays the ravaged Colombian territory to preserve it in a mnemonic act, the complex relationship between human ambition and nature’s depletion rises to the surface of Pérez’s drawings and paintings with a rare strength and sensitivity.
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8 Must-See Solo Gallery Shows in February 2024 - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view, Brian Rochefort...
A roundup of charity print sales in support of Gaza - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Mike Abrahams, Howrah Bridge, Kolkata Print sales allow photographers to show solidarity and keep Gaza’s humanitarian crisis in people’s minds while also encouraging donations to the relevant charities The photography community is doing what it can to assist an increasingly desperate humanitarian crisis in Gaza...
And words were whispered by Sancintya Mohini Simpson is a series of ten works on paper based on the lived experiences of Indian women taken to the Natal region of South Africa from the 1860s to the early 1900s to work in tea and sugarcane plantations during apartheid, which included servitude in its broadest and most sinister definition...
the amana collection Exhibit 05 – Daisuke Yokota | Exhibition | IMA ONLINE the amana collection Exhibit 05 – Daisuke Yokota 14 December 2019 - 20 January 2020 IMA gallery TAGS IMA gallery Daisuke Yokota Share © Daisuke Yokota_untitled_from Color Photographs Where does the photographic process begin and where does it end? Often the making of a photograph is considered to be a momentary event: the instant when the shutter is released and a photosensitive element is exposed thereby recording the physicality of reality...
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Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 — Centre Georges Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 — Centre Georges Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 Exhibition Ceramic, drawing, sculpture Marc Chagall, Maquette pour le plafond de l’Opéra Garnier, 1963 Encre de Chine, mine graphite et feutre sur papier découpé — Diamètre : 33,5 cm Don de Mme Meret Meyer, 2022 Chagall à l’œuvre Dessins, céramiques et sculptures 1945-1970 Ends in 3 months: October 4, 2023 → February 26, 2024 This exhibition brings together a set of works that entered the collection in 2022, thanks to the generosity of Bella and Meret Meyer...
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