Working with various mediums, from sculpture to installation, site-specific interventions, and readymades, Leonardo Engel addresses issues related to the climate, nature, traditional crafts, architecture, and popular culture of the Caribbean. His works show a particular investment in objects—their gestures, and their creation and production processes—as well as to the psychological and sociological discourses implicit within them. Engel carries out continual processes of research and observation of his environment. From the city of Santo Domingo, where he lives and works, to the peripheral urban centers and remote rural communities of the island, which he has visited on multiple occasions, his artistic production and daily experience are closely linked.
As with so many other colonized geographies, the ways in which violence has become a natural and expected component of Santo Domingo reflects the forced friendship between the beneficiaries and residues of Modernism...
The wall installation Friction/Where is Lavatory (2005) plays off anxieties about time but utilizes sound to create a disconcerting experience of viewership: comprised of dozens of wall clocks sutured together, the work presents a monstrous vision of time at its most monumental...
Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble...
As with so many other colonized geographies, the ways in which violence has become a natural and expected component of Santo Domingo reflects the forced friendship between the beneficiaries and residues of Modernism...