215 x 150 cm
Anonymous by Laura Lima consists of a series of fabric-based forms, over which rope has been arranged in varying textures and patterns. Visually, the work evades more complex descriptions, demanding a separate set of conventions to describe its semi-textural, semi-sculptural surface. Lima’s principle of demanding alternative descriptive conventions and exploring the experiential dimension of interacting with her work is fully visible in Anonymous , which is in many ways best qualified, in its sheer variety of shapes and textures, by its title.
Multidisciplinary Brazilian artist Laura Lima’s work attempts to excavate a set of self-defined concepts that she uses to describe her practice, indicative of her overall attempt to unsettle extant conceptual frameworks in favor of more productive re-territorializations. Her best-known body of work performatively examines the human body’s behavior in the face of stressful situations. This type of work signals Lima’s treatment of the social body as a sculptural form, a tradition she inherits from the Brazilian Neo-Concrete movement. Her work is often centered around encounters with the audience, dismantling expectations in order to create an impetus for a new experiential vernacular.
Shaun O’Dell’s paintings, installations, videos, sculptures, and music explore the overlapping realities of human and natural structures...
This film refers directly and fictionally to one of the first media dramas: the burning of the Zeppelin aircraft LZ 129 Hindenburg as it landed in New York in 1937...
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
Study of History IV by Subas Tamang is an etching and aquatint print based on photographs taken by German photographer Volkmar Wentzel in 1949...
On the occasion of publishing A Partial Taxonomy of Linear Ornament — Both Established and Original — Organized by Shape, Symmetry, Dimension, Iteration and Projection— Including Extrude the Extrusion and Ornament as Entheogen , Tauba Auerbach will discuss a range of topics, from topology to gesture, Traditional Chinese Medicine, architecture and (a)symmetry...
SEE WHAT SEE (Mar 2021): GENRE FICTION | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints March 30, 2021 By Joel Tan Welcome back to See What See ! It’s our monthly round-up of interesting stuff by Singapore and regional makers that you can stream right here on the Internet...
Artist Spotlight: Maya Kabat – Art and Cake August 14, 2023 August 14, 2023 Author Artist Spotlight: Maya Kabat Maya Kabat, “Pool Time/Super Spatial Los Angeles” Diptych, Oil on canvas on layered wood panels, 36×36 inches, 2023 What does a day in your art practice look like? Generally, I am in my tiny studio at home in Berkeley oil painting or at my studio in Oakland preparing canvases and doing other kinds of prep work or experimentation with other materials...
Weekly Southeast Asia Radar: Protests over Marcos-sponsored play; the Spaniard in Singapore films | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar The Star/Azhar Mahfof September 11, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
Laura Raicovich on a 1954 Article About the State of Western Museums – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All March 19, 2021 1:39pm ©ARTnews Today, critics of museums’ values point to histories of colonialism and structural racism...
Previously, Ortiz produced a series of photographs related to her research on the position of ‘service architecture’, the vital space given to domestic servants in the modernist architectural houses of South American upper class families...