Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model. The work takes as its departure point the history of Wilmington, Ybarra’s native hometown in southern Los Angeles. The piece refers to a Civil War era ammunition store that Ybarra found at the heart of the harbor close to Long Beach. The facility was later used as a temporary prison to hold different people coming from Mexico to Los Angeles during the Civil War. The building’s walls are covered with different marks and inscriptions from that time—what Ybarra likes to call L. A.’s earliest graffiti and which today coexist with recent gang tags. By pointing out the presence of these two kinds of inscriptions in the same historical place, Ybarra furthers his investigation into the intertwining of Mexican-American and Anglo-American social and cultural histories in Southern California.
Mario Ybarra Jr. belongs to a generation of Mexican-American artists who embrace their double heritage and use it in order to create critical and compelling artistic work. Ybarra is based in Los Angeles, where he grew up, and a large part of his artistic practice has grown out of issues related to his upbringing in the Chicano community of Wilmington. He consistently explores the culture and politics of the West Coast to produce, as he says, contemporary art that is filtered through a Mexican-American experience. Ybarra is not only a multifaceted artist, but also works as an educator, gallerist, activist, and social anthropologist.
From the series the Old and the New (XI) by Carlos Garaicoa belongs to the series Lo viejo y lo nuevo / Das Alte und das Neue (The Old and the New) which was first exhibited in 2010 at Barbara Gross Gallery in Germany...
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
From the series the Old and the New (XI) by Carlos Garaicoa belongs to the series Lo viejo y lo nuevo / Das Alte und das Neue (The Old and the New) which was first exhibited in 2010 at Barbara Gross Gallery in Germany...
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
The collector is developing projects that allow her to support artists in her own unique way....
Rules & Repetition: Conceptual Art at the Wadsworth Atheneum Skip to content “The Maze and Snares of Minimalism” (1993) by Carl Andre in front of Alfred Jensen’s “The World As It Really Is” (1977), on view in Rules & Repetition: Conceptual Art at the Wadsworth Atheneum The Wadsworth Atheneum Museum of Art presents works by groundbreaking conceptual artists of the 1960s and ‘70s alongside more recent acquisitions in Rules & Repetition: Conceptual Art at the Wadsworth Atheneum ...
Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Foreigners Everywhere is a series of neon signs in several different languages...
This work needs to be considered in relation to one of his performances during which people were made to queue in front of the Kunsthalle of Frankfurt in 2003 (Tate Collection)...
As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...
Butter Mountain is part of an ongoing series of works that combines a sense of painterly mass and substance with sculptural language to examine the synergy between a topographical landscape and a landscape of the human condition...