Also Known As Jihadi
2017 - Film & Video (Film & Video)
99 minutes
Eric Baudelaire
Baudelaire’s latest film, Also known as Jihadi (2017) tells the story of a young French boy from Parisian suburbs and his assumed journey to the Al-Nusra front in Syria to join ISIS and fight Bashar al-Assad’s regime. Employing the cinematographic approach known as ‘landscape theory’ — or fûkeiron — developed out of Marxist film criticism in the 1970s where the landscape of a film is read as an expression of the political climate, thus becoming a significant character, motivation or reasoning for the films development. The 101-minute follows Abdel Aziz from the socially and politically rife milieu of the Parisian suburbs, weighted by division, segregation, development and poverty to, what the viewer assumes, Syria. Following landscape theory, the viewer does not see Aziz, rather his story is told through different landscapes, filmed in France, Spain, Algeria, and on the Syrian border in Turkey. The viewer is caught in a maelstrom of perceptions and realities, the aimlessness and alienation heavily felt in segregated communities, how society and the media define a terrorist or jihadist, and attempts to understand the motivations of the various evils experienced in our shared political condition. A grid of photocopied transcripts accompanies the film from Abdel Aziz trial that took place only weeks after the attack at the Bataclan in Paris in October 2015.
Currently based in Paris, Franco-American artist Eric Baudelaire has developed an oeuvre primarily composed of film, but which also includes photography, silkscreen prints, performance, publications and installations. In his research-based practice, the artist examines the relationship between images, past events and their documentation. Interested in the role of the cinematographic image as an index marker, Baudelaire creates narratives in which recorded facts serve as a starting point for an exploration of the unknown. In examining the changes in human behavior though interrogating the great political structures that govern the global, national and micro-communities, Baudelaire’s practice could be read through a bio-political perspective. Navigating the experience of urban living, the global, technical and economic dependencies of war, movement and the contemporary paradigm of geographical proximity and distance, Baudelaire’s practice evokes a hauntingly provocative perspective on the current political climate.
Colors:
Related works sharing similar palette
© » KADIST
Maria Taniguchi
2015Maria Taniguchi works across several media but is principally known for her long-running series of quasi-abstract paintings featuring a stylized brick wall device...
© » KADIST
Andrew Norman Wilson
2020On the first day of the Covid-19 lockdown in New York, Andrew Norman Wilson was evicted from his sublet and decided to board a $30 flight to Los Angeles that evening...
© » KADIST
Étienne Chambaud
2010In 2010, Kadist Art Foundation, David Roberts Foundation and Nomas Foundation successively presented an exhibition of the work of Etienne Chambaud in collaboration with Vincent Normand: The Siren’s Stage / Le Stade des Sirènes...
© » LE MONDE
Sélection galerie : Farnood Esbati chez Christian Berst Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Sans titre (vers 2020), de Farnood Esbati...
© » KADIST
Natsuko Uchino
2020Squid Currency is a series of 13 non-calibrated double-sided tin coins made using a casting technique dating back to Neolithic times where cuttlebones (squid bones) were carved by hand and then used as a mold...
© » KADIST
Roman Ondak
2003As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...
© » KADIST
Juan Obando
2023They/Them by Juan Obando is a video essay and deepfake that uses Adobe Stock clips, maintaining their branded watermark, but animating the scenes underneath with a narrative of self-critical awareness...
© » ARTS EQUATOR
How the Singapore literary ecosystem tackles mental health | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 27, 2021 By Sarah Tang (1,450 words, 5-minute read) cw: Contains mentions of suicide There appears to be more local books and writing about mental health in the Singapore lit scene in recent years...
© » KADIST
Dora Garcia
2008Dora Garcia’s work is a result of institutional critique and more generally that of language, following the conceptual artists of the 1960s like Weiner and Kosuth and Fraser from the 1980s and 1990s...
© » KADIST
Margo Wolowiec
2015Wolowiec’s textile work Not This Time (2015) translates pixelated images into sensuous fabric and ink based forms that are at once beautiful in their abstraction and anxiety-ridden in their visualization of a malfunctioning digital world...
© » KADIST
Eileen Quinlan
2016Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium....
© » KADIST
Jason Dodge
2007In Algeria, Djidjiga Meffre has woven a fabric with a string, a length equal to the distance from the earth to troposphere...
