31min 51sec
After Scarcity is a sci-fi video-essay that tracks Soviet cyberneticians (1950s – 1980s) in their attempt to build a fully-automated planned economy. If history at its best is a blueprint for science-fiction, revisiting contingent histories of economic technology might enable an access to the future. Vindicating this other internet , the work presents the economic application of socialist cybernetic experiments as extraordinary to financial arrangements and imaginations of our time. It addresses urgent issues such as broadband idealism, regulated networks of data, high speed capitalism and the urgency of time. Blurring the line between sci-fi and history, the work serves as both a reality check and a glimmer of hope, allowing us to consider a future that does not necessarily have to rely on speculation or an overemphasis on financialization.
Bahar Noorizadeh is filmmaker, writer, and platform designer. She works on the reformulation of hegemonic time narratives as they collapse in the face of speculation: philosophical, financial, legal, futural, etc. Noorizadeh is a founding member of BLOCC (Building Leverage over Creative Capitalism), a research and education platform that proposes pedagogy as a strategy to alter the relationship between Contemporary Art and urban renewal. Her current research examines the intersections of finance, Contemporary Art and emerging technology, building on the notion of “Weird Economies” to precipitate a cross-disciplinary approach to economic futurism and post-financialization imaginaries. At a time when the discourse around capitalism, economies, financialization and neoliberalism is abundant but lacks serious depths into the complexities, history and potentials it holds, Noorizadeh’s practice maintains an important critical proposition that problematizes how we understand and think of these issues while simultaneously urging us to reconsider our position on them.
The Red City of the Planet of Capitalism is part of a three project lineage, following Bahar Noorizadeh’s research on the architecture of the Soviet Union...
Artist Akeem Smith on bringing Jamaican dancehall culture out of the shadows - arts24 Skip to main content Artist Akeem Smith on bringing Jamaican dancehall culture out of the shadows Issued on: 03/11/2023 - 15:44 11:25 arts24 © FRANCE 24 By: Solène CLAUSSE | Marion CHAVAL | Magali FAURE | Clémence DELFAURE | Alison SARGENT | Loïc CHALAVON | Sonia PATRICELLI Akeem Smith grew up between Brooklyn, New York and Kingston, Jamaica, where his aunt and grandmother were figures of the city's dancehall culture...
Missing Mona Lisa: the story behind the 1911 theft of Leonardo’s masterpiece Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books feature Missing Mona Lisa: the story behind the 1911 theft of Leonardo’s masterpiece The author of a new book tells us why it was stolen and how Picasso got embroiled in the scandal Gareth Harris 6 February 2024 Share A museum worker called Vincenzo Peruggia stole the Mona Lisa in August 1911...
The Red City of the Planet of Capitalism is part of a three project lineage, following Bahar Noorizadeh’s research on the architecture of the Soviet Union...
In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...
Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
Brian Tolle's startling sculptures are said to be a dialogue between "history and context." His ability to manipulate what appear to be the most stubborn of structures is more than just a clever use of materials such as styrofoam and urethane (as is th case in the top piece, "Eureka.") Tolle forces us to consider our own relationship with the materials around us....