Adição por subtração - 4
2010 - Installation (Installation)
59.06H x 118.11W x 7.87D inches
Marcelo Cidade
Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results. The installation is a large rectangular frame created out of shards of clear and colored glass that protrude from the wall. The use of glass fragments is reminiscent of Robert Smithson’s sculpture Map of Glass (Atlantis) (1969), yet the concerns here are very different. The work delineates an interior space and draws the viewer’s attention through the use of aggressive materials, yet there is empty space where we would expect an artwork to be. What is added is ultimately subtracted, since both the “artwork” and the void of the gallery space remain equal.
Marcelo Cidade is an artist of situations, if not a Situationist of a new age, as he drifts through city streets around the world creating actions, interventions, films, photographs or drawings. His interests lie in the possibilities of public space and its connection with the private sphere, he resists forms of constraint and moves freely within the human community and through urban environments. Questioning systems and working in the peripheries or interstices allows Cidade poetic freedom in his artistic practice and open engagement with language, art history and politics. In 2005, he wrote “To resist = to (re) exist” 2000 times in downtown São Paulo.
Colors:
Related works sharing similar palette
© » SLASH PARIS
Guy Leclercq — Épures et couleurs — Galerie Dutko / Quai Voltaire — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Guy Leclercq — Épures et couleurs — Galerie Dutko / Quai Voltaire — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Guy Leclercq — Épures et couleurs Exposition Peinture L’atelier de l’artiste Guy Leclercq Épures et couleurs Encore 27 jours : 7 décembre 2023 → 13 janvier 2024 La Galerie Dutko présente du 7 décembre 2023 au 13 janvier 2024 les œuvres récentes de l’artiste belge Guy Leclercq...
© » KADIST
Michelle Handelman
2009In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...
© » SLASH PARIS
40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exposition — Slash Paris Connexion Newsletter Twitter Facebook 40 ans du Frac ! — Gunaikeîon — Frac île-de-france, les Réserves — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour 40 ans du Frac ! — Gunaikeîon Exposition Techniques mixtes Vue de l’exposition 40 ans du Frac ! — Gunaikeîon au Frac île-de-france, les Réserves, Romainville © Frac Île-de-France 40 ans du Frac ! Gunaikeîon Encore 2 mois : 15 octobre 2023 → 24 février 2024 Pour les 40 ans des Frac, il s’agit à la fois de repenser l’histoire de l’institution, écrite notamment par le biais de sa collection, et de tendre vers des futurs communs et désirables...
© » ARTNEWS RETROSPECTIVE
Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...
© » ARTS EQUATOR
Purⓔ《纯ⓔ》: How do we talk about Art Form X? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of M1 CONTACT July 13, 2020 By Jocelyn Chng (1,800 words, 4-minute read) When I accepted the opportunity to write this piece on Purⓔ 《 纯 ⓔ》 , I did it feeling a bit like a shipwreck survivor re-approaching water for the first time...
© » KADIST
Olga Grotova
2022Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
© » KADIST
Fabiola Torres-Alzaga
2013Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...
© » KADIST
Andrea Bowers
2010The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...
© » KADIST
David G. Tretiakoff
2016Immolation I is taken from the four-part Immolation series which shows four Arab revolutionaries who publicly sacrificed themselves through self-immolation and in so doing heralded the beginning of the Arab Spring...
© » KADIST
Allen Ruppersberg
1970Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
© » KADIST
Power Forward Wednesday, January 24, 2018 Bar 6pm, Program 7pm Ezekiel Kweku & Ameer Lo ggins in conversation, moderated by Sarah Hotchkiss Editors Astria Suparak & Brett Kashmere in person To celebrate the launch of Sports , the newest issue of artist-run publication INCITE: Journal of Experimental Media , KADIST hosts an evening of athletics, politics, art, and dialogue...
© » KADIST
Pablo Rasgado
2011Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
© » ARTS EQUATOR
Podcast 61: The Media Landscape in Thailand | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Asian Arts Media Roundtable July 11, 2019 Duration: 20 min In our latest podcast, Thai theatre critic Amitha Amranand gives a comprehensive overview of the media landscape in Thailand, discussing the impact of the political and legal system on the arts and the paradoxical freedom that arts journalists have in the country...