Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions. Her interests and the resulting aesthetic projects seem couched in the 19thcentury sideshow, more than the contemporary art world. In her delicate drawings, Adaptando la Carta, layers of tracing paper reveal different hand positions, concealing and revealing a playing card hidden among the curves of the magician’s hand. The artist’s fixation on the hand is persistent throughout the works, as she considers the limits between reality and illusion.
Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions. Her interests and the resulting aesthetic projects seem couched in the 19th-century sideshow, more than the contemporary art world.
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...
In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...
Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Wheat’s work is built on a strong conceptual framework that weaves together commentary on social and political issues and the radical potential for change...
LAB (2013) conjures the body as the trace of a sooty hand appears, spectrally, on a crumpled paper towel...
Lara uses things readily at hand to create objects and situations that interrogate the processes of art and the spectrum of roles that art and artists play in society...