Pedro Reyes’s works traverse the worlds of art, film, architecture, design, social criticism, and pedagogy. Educated as an architect, Reyes draws on this training to engage with utopian aspirations and the ongoing legacy of Modernism, often focusing on issues of scale and space while questioning pressing social issues through the incitement of individual or collective interaction. Although only a few of his works are directly located within the practice of building, almost all involve some kind of construction, whether they are objects, models, interiors, or social spaces. Reyes also makes use of strategies developed for communication or education, as well as everyday humor, to engage his audiences. Many of his works either allow large-scale public engagement or suggest a possible use: weapons turned to shovels, multilevel parks in old modernist buildings, and small spherical rooms. Like many avant-garde thinkers of the past, Reyes constructs new forms of architecture necessary for new ways of life.
He wants Hong Kong to fall in love with theatre and he’s doing everything he can to make that happen | South China Morning Post He wants Hong Kong to fall in love with theatre and he’s doing everything he can to make that happen Performing arts in Hong Kong Hong Kong theatre wunderkind Tom Chan is the youngest and only producer to stage a long-running musical show in the city...
Like many Asian countries, Vietnam has lost an immense amount of natural environment and rural landscape to economic growth and industrial development...
Park Chan-Kyong’s otherworldly film Belated Bosal primarily follows two women as they navigate their way up a spectral mountain and through what appears to be a history museum or nuclear disaster bunker...
Hommage à Vera Molnar — Cruciformes — MAC VAL Musée d'art contemporain du Val-de-Marne — Exhibition — Slash Paris Login Newsletter Twitter Facebook Hommage à Vera Molnar — Cruciformes — MAC VAL Musée d'art contemporain du Val-de-Marne — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Hommage à Vera Molnar — Cruciformes Exhibition Mixed media Vue de l’exposition Cruciformes — Hommage à Vera Molnar , MAC VAL 2024 Photo © Aurélien Mole Hommage à Vera Molnar Cruciformes Ends in about 2 months: January 5 → April 8, 2024 Le 5 janvier 2024, Vera Molnar aurait eu cent ans...
“Closer” at Both Sides, Now: What Do We Choose to Remember? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Zinkie Aw for Both Sides, Now October 29, 2018 By Loo Zihan (1430 words, six-minute read) “What will we forget? What do we hold on to? What will we remember? What do we let go of?” These were the questions posed by a volunteer in Mandarin to my 67-year-old mother at a void deck in Chong Pang...
Rossella Biscotti’s “10×10” series investigates the relationship between demographics, data processing, textile manufacturing and social structure...
Falling Wall is choreography consisting of a wall, three performers wearing uniforms, and a short ritual...
In conversation with Nataša Petrešin-Bachelez Together they will talk about Marwa Arsanios’ last video “ Falling is not collapsing, falling is extending “, 2016, presented recently at the Hammer Museum (Los Angeles), that looks into the garbage crisis in Beirut and the city’s recent real estate boom...