114 x 66 x 3 cm
Adam is an emblematic work within Jean-Charles de Quillacq’s oeuvre. The artist has created a number of pieces entitled Adam , referring to original man, incarnated in multiple objects at once. Materially, Adam is a fluorescent yellow walking rope with an epoxy coating on one side, rendering the structure rigid, demonstrative of his sculptural practice which is both conceptual and sensual. The artist describes the object as “something which holds onto desire” as an object which has found a way of expressing itself through the epoxy, “through the carnal relationship which reveals some kind of regressive, oral activity imbued with a sexual value.” The material, subjected to intense physical manipulation becomes a vector for both work and desire where the two become merged and indistinguishable from the product produced.
Artist Jean-Charles de Quillacq erects works which have a complicated relationship to remaining upright. In both sculpture and performance, his work stages bodies that are bound by their environment, constrained by position and interaction, becoming the object of fantasy, codification and multiple representations. Creating tubular sculptures, quasi-erotic installations and intimate performances, the artist unveils an ambiguous relationship between the world and the self. Through mimicry and the blending of notions such as the omnipresence of desire and of alienation, the artist engages in a tireless reproduction of gestures and objects. Material often takes precedence over form in his work, and feeling, shaping and embracing are integral parts of his practice. He is particularly fond of the softness of epoxy resin before it hardens; a key material in his work since 2011. This pleasure is an expression of the desire of creation within a libidinal economy, and a central tenet of his work. The studio becomes a space for creation where intimate relationships with the objects he creates are developed.
The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen...
The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...
Special programme: Taiwan, a culture of freedom and diversity (part 2) - arts24 Skip to main content Special programme: Taiwan, a culture of freedom and diversity (part 2) Issued on: 12/01/2024 - 17:25 Modified: 12/01/2024 - 17:29 13:17 FRANCE 24's Alison Sargent takes you to Taipei for a special programme on the island's cultural diversity...
Of Math and Art: "A Game of Numbers" with NUS Arts Festival 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles March 6, 2019 By Elaine Chiew (1195 words, five-minute read) ‘A GAME OF NUMBERS’: Elaine Chiew interviews Mary Loh and Professor Victor Tan on the mathematically-themed NUS Arts Festival 2019 believed to be first-ever in Singapore...
The Artful Life: 5 Things Galerie Editors Love This Week - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Swarovski has opened doors to a new flagship on Fifth Avenue...
Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris Login Newsletter Twitter Facebook Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Caroline Bachmann — Le Matin Exhibition Drawing, installation, painting Closing Caroline Bachmann, Le Matin, 2022 Detail...
Philemona Williamson — The Borders of Innocence — Semiose Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Philemona Williamson — The Borders of Innocence — Semiose Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Philemona Williamson — The Borders of Innocence Exhibition Painting Philemona Williamson, A Pause Requested, 2020 Courtesy de l’artiste et galerie Semiose, Paris Philemona Williamson The Borders of Innocence Ends in 19 days: November 18 → December 30, 2023 In her more than four decades-long distinguished career, the American artist Philemona Williamson has created an evocative and compelling body of work that she describes as “visual poems.” Through the veil of personal memory, Williamson’s opaque narratives recall the beauty, drama, and vagaries of innocence...
In her geometric paintings on wood panel, Madriz employs the Fibonacci numbers to illustrate, in simplified form, the pattern of natural plant growth—beginning from a single stem, and growing exponentially, rationally, and efficiently outward from there...
Funimation Digital Libraries Were Supposed to Last ‘Forever.’ Soon They’ll Disappear | WIRED Skip to main content Backchannel Business Culture Gear Ideas Politics Science Security Merch Podcasts Video Wired World Artificial Intelligence Climate Games Newsletters Magazine Events Wired Insider Jobs Coupons Save this story Save Save this story Save How long is “forever”? When it comes to digital media, forever could be as close as a couple of months away...
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Weekly Southeast Asia Radar: Is Filipino gender neutral?; Cultural tours go online | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar JL JAVIER via CNN Philippines July 9, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...