114 x 66 x 3 cm
Adam is an emblematic work within Jean-Charles de Quillacq’s oeuvre. The artist has created a number of pieces entitled Adam , referring to original man, incarnated in multiple objects at once. Materially, Adam is a fluorescent yellow walking rope with an epoxy coating on one side, rendering the structure rigid, demonstrative of his sculptural practice which is both conceptual and sensual. The artist describes the object as “something which holds onto desire” as an object which has found a way of expressing itself through the epoxy, “through the carnal relationship which reveals some kind of regressive, oral activity imbued with a sexual value.” The material, subjected to intense physical manipulation becomes a vector for both work and desire where the two become merged and indistinguishable from the product produced.
Artist Jean-Charles de Quillacq erects works which have a complicated relationship to remaining upright. In both sculpture and performance, his work stages bodies that are bound by their environment, constrained by position and interaction, becoming the object of fantasy, codification and multiple representations. Creating tubular sculptures, quasi-erotic installations and intimate performances, the artist unveils an ambiguous relationship between the world and the self. Through mimicry and the blending of notions such as the omnipresence of desire and of alienation, the artist engages in a tireless reproduction of gestures and objects. Material often takes precedence over form in his work, and feeling, shaping and embracing are integral parts of his practice. He is particularly fond of the softness of epoxy resin before it hardens; a key material in his work since 2011. This pleasure is an expression of the desire of creation within a libidinal economy, and a central tenet of his work. The studio becomes a space for creation where intimate relationships with the objects he creates are developed.
FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South? 007: What is the future of arts infrastructures and audiences across North Africa and the Middle East? 006: What role can the archive play in developing and sustaining a critical and culturally located art history? 005: How has a globalised cultural economy affected the production of contemporary visual culture in North Africa and the Middle East? 004: With the benefit of hindsight, what role does new media play in artistic practices, activism, and as an agent for social change in the Middle East and North Africa today? 003: Can Artistic Practices Negotiate the Demands of Cultural Institutions, Public Space, and Civil Society? 002: What relationship does visual culture have to the world we live in? 001: What do we need to know about the MENA region today? Published between and Publications FIELD MEETING Take 4: Thinking Practice Online Programme 010_05 / 28 October 2016 Tags Curatorial Practice Conference Chapters in this series Introduction Curatorial Narrative Speaker Biographies + Synopses Programme / Schedule Closing Remarks Responses Video documentation Day 1 Video documentation Day 2 Most Viewed Halim El Dabh An Alternative Genealogy of Musique Concrète Fari Bradley Sous les Pavés, la Plage On Assumption and Authority David Birkin Now Where? On Navigating Without a Compass Stephanie Bailey The North of the South and the West of the East A Provocation to the Question Walter D...
En Guard Souvenir is composed of a group of eleven elements (ten paintings on paper and a sculpture) which deconstructs and recomposes the context of Tienanmen Square in Beijing...
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Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Caroline Bachmann — Le Matin Exposition Dessin, installations, peinture Derniers Jours Caroline Bachmann, Le Matin, 2022 Détail...
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Of Math and Art: "A Game of Numbers" with NUS Arts Festival 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles March 6, 2019 By Elaine Chiew (1195 words, five-minute read) ‘A GAME OF NUMBERS’: Elaine Chiew interviews Mary Loh and Professor Victor Tan on the mathematically-themed NUS Arts Festival 2019 believed to be first-ever in Singapore...
Could visiting a museum be the secret to a healthy life? Menu Close Does the simple fact of being in contact with art have any specific effects? (Shutterstock) Emma Dupuy , Université de Montréal Author Emma Dupuy Postdoctoral researcher, cognitive neuroscience, Université de Montréal Disclosure statement Emma Dupuy works in partnership with the Montreal Museum of Fine Arts and has received funding from MITACS, the Université de Montréal and the Fonds de Recherche du Québec...
In her geometric paintings on wood panel, Madriz employs the Fibonacci numbers to illustrate, in simplified form, the pattern of natural plant growth—beginning from a single stem, and growing exponentially, rationally, and efficiently outward from there...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Special programme: Taiwan, a culture of freedom and diversity (part 2) - arts24 Skip to main content Special programme: Taiwan, a culture of freedom and diversity (part 2) Issued on: 12/01/2024 - 17:25 Modified: 12/01/2024 - 17:29 13:17 FRANCE 24's Alison Sargent takes you to Taipei for a special programme on the island's cultural diversity...
Singular Screens – Cinema, the way you want it | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles SIFA 2020 September 4, 2020 As Singapore gets used to life under Phase 2 of our COVID-19 relaxation measures, players like Singapore Festival of the Arts (SIFA) – or its gentle rebrand SIFA v2.020 – are responding with programmes that are welcoming us back into a semblance of normalcy...
Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris Login Newsletter Twitter Facebook Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Caroline Bachmann — Le Matin Exhibition Drawing, installation, painting Closing Caroline Bachmann, Le Matin, 2022 Detail...