114 x 66 x 3 cm
Adam is an emblematic work within Jean-Charles de Quillacq’s oeuvre. The artist has created a number of pieces entitled Adam , referring to original man, incarnated in multiple objects at once. Materially, Adam is a fluorescent yellow walking rope with an epoxy coating on one side, rendering the structure rigid, demonstrative of his sculptural practice which is both conceptual and sensual. The artist describes the object as “something which holds onto desire” as an object which has found a way of expressing itself through the epoxy, “through the carnal relationship which reveals some kind of regressive, oral activity imbued with a sexual value.” The material, subjected to intense physical manipulation becomes a vector for both work and desire where the two become merged and indistinguishable from the product produced.
Artist Jean-Charles de Quillacq erects works which have a complicated relationship to remaining upright. In both sculpture and performance, his work stages bodies that are bound by their environment, constrained by position and interaction, becoming the object of fantasy, codification and multiple representations. Creating tubular sculptures, quasi-erotic installations and intimate performances, the artist unveils an ambiguous relationship between the world and the self. Through mimicry and the blending of notions such as the omnipresence of desire and of alienation, the artist engages in a tireless reproduction of gestures and objects. Material often takes precedence over form in his work, and feeling, shaping and embracing are integral parts of his practice. He is particularly fond of the softness of epoxy resin before it hardens; a key material in his work since 2011. This pleasure is an expression of the desire of creation within a libidinal economy, and a central tenet of his work. The studio becomes a space for creation where intimate relationships with the objects he creates are developed.
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FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South? 007: What is the future of arts infrastructures and audiences across North Africa and the Middle East? 006: What role can the archive play in developing and sustaining a critical and culturally located art history? 005: How has a globalised cultural economy affected the production of contemporary visual culture in North Africa and the Middle East? 004: With the benefit of hindsight, what role does new media play in artistic practices, activism, and as an agent for social change in the Middle East and North Africa today? 003: Can Artistic Practices Negotiate the Demands of Cultural Institutions, Public Space, and Civil Society? 002: What relationship does visual culture have to the world we live in? 001: What do we need to know about the MENA region today? Published between and Publications FIELD MEETING Take 4: Thinking Practice Online Programme 010_05 / 28 October 2016 Tags Curatorial Practice Conference Chapters in this series Introduction Curatorial Narrative Speaker Biographies + Synopses Programme / Schedule Closing Remarks Responses Video documentation Day 1 Video documentation Day 2 Most Viewed Halim El Dabh An Alternative Genealogy of Musique Concrète Fari Bradley Sous les Pavés, la Plage On Assumption and Authority David Birkin Now Where? On Navigating Without a Compass Stephanie Bailey The North of the South and the West of the East A Provocation to the Question Walter D...
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