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BEIRUT: Since the outbreak of the COVID-19 pandemic, museums, galleries and art fairs around the world have launched sophisticated virtual tours, often paired with the hashtags #MuseumFromHome and #ClosedButOpen, to offer a much-needed path to calm, reflection and enlightenment...

DUBAI: Visitors to Dubai can now enjoy a rare opportunity to access prominent private collections of modern and contemporary Arab art that have been made public at the Etihad Museum...

En Guard Souvenir is composed of a group of eleven elements (ten paintings on paper and a sculpture) which deconstructs and recomposes the context of Tienanmen Square in Beijing...

In this virtual tour, artist-in-residence Arseniy Zhilyaev presents the exhibition “M...

Could visiting a museum be the secret to a healthy life? Menu Close Does the simple fact of being in contact with art have any specific effects? (Shutterstock) Emma Dupuy , Université de Montréal Author Emma Dupuy Postdoctoral researcher, cognitive neuroscience, Université de Montréal Disclosure statement Emma Dupuy works in partnership with the Montreal Museum of Fine Arts and has received funding from MITACS, the Université de Montréal and the Fonds de Recherche du Québec...

In this film, leading arts economist Clare McAndrew looks at the extent to which change in artworks’ prices and other factors can shift art collectors’ demand....

COVID-19 and the arts in Southeast Asia - 2 years on | ArtsEquator Skip to content In March 2020, we spoke to 10 arts and culture workers from across Southeast Asia, in a bid to capture the sentiments on the ground as it shifted during the early days of the pandemic...

Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Caroline Bachmann — Le Matin — Le Crédac, Centre d’art contemporain d’Ivry — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Caroline Bachmann — Le Matin Exposition Dessin, installations, peinture Derniers Jours Caroline Bachmann, Le Matin, 2022 Détail...

The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen...

Auction of the Week: Rare Fancy Vivid Yellow Diamond Achieves $5.5 Million - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe An Exceptional Unmounted Fancy Vivid Yellow Diamond...

Each day, Yuji Agematsu smokes a pack of cigarettes and wanders the streets of New York City looking for trash...

Weekly Southeast Asia Radar: Is Filipino gender neutral?; Cultural tours go online | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar JL JAVIER via CNN Philippines July 9, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

Deep Inside Sotheby’s $600+m Bet on Macklowe, Part 1 When last we left the art market—just a few short weeks ago in London—the story was all about the hunt for new talent with collectors making aggressive bets on the “next big thing” artist...

Discrepancies with Oaxacan Textile II by Leonor Antunes is a hanging sculpture composed of three elements made of brass...

Wash and Go (2001) is divided into two stages and operates like a slide show...

Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...

Philemona Williamson — The Borders of Innocence — Semiose Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Philemona Williamson — The Borders of Innocence — Semiose Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Philemona Williamson — The Borders of Innocence Exhibition Painting Philemona Williamson, A Pause Requested, 2020 Courtesy de l’artiste et galerie Semiose, Paris Philemona Williamson The Borders of Innocence Ends in 19 days: November 18 → December 30, 2023 In her more than four decades-long distinguished career, the American artist Philemona Williamson has created an evocative and compelling body of work that she describes as “visual poems.” Through the veil of personal memory, Williamson’s opaque narratives recall the beauty, drama, and vagaries of innocence...

Who Was Hilma af Klint? | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

Nicolás Bacal uses everyday materials to evoke systems in his sculptures and installations...

FIELD MEETING Take 4: Thinking Practice | Ibraaz Contemporary Visual Culture in North Africa and the Middle East Home Platform Essays Interviews Projects Channel Reviews Publications News About Sign up Quick search Go Author Keyword Search archive Title Platform 010: Where to Now? Shifting Regional Dynamics and Cultural Production in North Africa and the Middle East 009: What are the genealogies of performance art in North Africa and the Middle East? 008: How do we productively map the historical and contemporary relationships that exist between North Africa, the Middle East and the Global South? 007: What is the future of arts infrastructures and audiences across North Africa and the Middle East? 006: What role can the archive play in developing and sustaining a critical and culturally located art history? 005: How has a globalised cultural economy affected the production of contemporary visual culture in North Africa and the Middle East? 004: With the benefit of hindsight, what role does new media play in artistic practices, activism, and as an agent for social change in the Middle East and North Africa today? 003: Can Artistic Practices Negotiate the Demands of Cultural Institutions, Public Space, and Civil Society? 002: What relationship does visual culture have to the world we live in? 001: What do we need to know about the MENA region today? Published between and Publications FIELD MEETING Take 4: Thinking Practice Online Programme 010_05 / 28 October 2016 Tags Curatorial Practice Conference Chapters in this series Introduction Curatorial Narrative Speaker Biographies + Synopses Programme / Schedule Closing Remarks Responses Video documentation Day 1 Video documentation Day 2 Most Viewed Halim El Dabh An Alternative Genealogy of Musique Concrète Fari Bradley Sous les Pavés, la Plage On Assumption and Authority David Birkin Now Where? On Navigating Without a Compass Stephanie Bailey The North of the South and the West of the East A Provocation to the Question Walter D...