43:37 minutes
Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth. Set in an empty, derelict room with nothing but an old mattress on the floor, the film features a series of actors independently performing a demonic possession, or at least their interpretation of what one would look like. Although each reenactment is slightly different, actor after actor, the viewer is confronted with a common thread: a near archetypal response that binds them all together. Hysterical laughter, a sinister voice, sudden movements, exaltation, moaning, pain, difficulty breathing and speaking, loss of the self—all form part of the satanic repertoire, and point towards our shared perception of the fictitious concept. Implicit in Ruperto’s acting exercise is a questioning of the notion of ‘objective truth’ set in contrast with the consensus of an agreed, subjective truth that we have socially constructed, and which we collectively share.
Miljohn Ruperto is a cross-disciplinary artist working across photography, cinema, performance, and digital animation. His work refers to historical and anecdotal occurrences, and speculates on the nature of assumed facts and the construction of truth. Often involving replicas, modified versions, and enactments—including Chinese-made reproductions of Caspar David Friedrich’s The Monk by the Sea ; modified images based on the 15th century Voynich Manuscript; or reworked footage of Filipino actress Isabel Rosario Cooper—Ruperto takes cultural and historical references and untethers them from their original context to challenge our perception and generate something altogether new. Ruperto’s work is often informed by his collaborations with experts from other disciplines including Dutch animator Aimée de Jongh, neuroscientist and engineer Rajan Bhattacharyya, photographer Ulrik Heltoft among others. Through a richness and diversity of lenses, and preferencing the obscure, mysterious and the magical, his work challenges fixed conceptions of truth and history, and instead speaks of an indeterminacy and subjectivity of experience that renders truth and fiction near indistinguishable.
Through a hand-painting process, Shi Guowei created Manufactured Landscape ...
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Caring for the Carers: How Malaysian artists working with communities hold space | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Syarifah Nadhirah August 12, 2021 By Rahmah Pauzi (1,300 words, 5-minute read) I had forgotten how loaded the words “how are you,” or “apa khabar,” can be...
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Weekly Picks: Malaysia (13 – 19 Aug 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do August 13, 2018 Kenapa Tak Tukar Nama , at klpac, 18–19 Aug, 1:30pm This monologue follows Muslim convert Hoe Mei Ying as she navigates the complexity of identity and faith, and tackles a common question: Why have you not changed your name upon conversion? Yiky Chew plays five characters with various takes on the question, and is a performance devised from experiences of a convert getting her new Malaysian identity card...
La manzana de Adán (La Palmera, Santiago) by Paz Errázuriz is part of the celebrated series La manzana de Adán (Adam’s apple) that spans 5 years (1982-1987) of documenting the lives of transgender sex workers in La Jaula and La Palmera brothels in the Chilean cities of Talca and Santiago...
- Asia Contemporary Art Week Asia Contemporary Art Week ABOUT Consortium Partners PRESENTED ARTISTS FIELD MEETING ABOUT FIELD MEETING TAKE 6: THINKING COLLECTIONS (2018) TAKE 5: THINKING PROJECTS (2017) TAKE 4: THINKING PRACTICE (2016) TAKE 3: THINKING PERFORMANCE (2015) TAKE 2: AN AFTERTHOUGHT (2015) TAKE 1: CRITICAL OF THE FUTURE (2014) FIELD REVIEW ABOUT FIELD REVIEW ISSUE 1: SOUTH ASIA ISSUE 2: MIDDLE EAST PAST EDITIONS ACAW 2002 – 2018 PRESENTED ARTISTS PRESS PRESS RELEASES PRESS COVERAGE Announcements Posted on Friday, November 1, 2019 · Leave a Comment We’ve updated our name to better represent nearly 20 years of nonprofit service to the field...
Park Chan-Kyong’s otherworldly film Belated Bosal primarily follows two women as they navigate their way up a spectral mountain and through what appears to be a history museum or nuclear disaster bunker...
With the war-torn Beirut cityscape as its backdrop—urban alleys, glistening beaches, abandoned buildings—Eric Baudelaire’s complex film, The Ugly One , unfolds in a time and place that vacillates among revolutionary narratives of the past, the fragile and ever-changing political situation of the present, and attempts to piece together the memories of those that live, or once lived, in the city...
Mary Jones: Layered histories – Two Coats of Paint Mary Jones, American Interior 2023, oil on digitally printed canvas, 52 x 38 inches Contributed by Katy Crowe / “Significant Properties,” the title of Mary Jones’s current exhibition at as-is.la and her first in Los Angeles in some years, aptly suggests real estate worth seeing...
90022 (Leonard Ave) by Guadalupe Rosales engages with memory, loss, grief, and nostalgia; themes that run throughout the artist’s practice...