Absentia

2012 - Film & Video (Film & Video)

65H x 8W x 20D inches

Tony Oursler

year born: 1957
gender: male
nationality: American
home town: New York, New York

Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium. Mounted on platforms suspended in space on metal stands, the video sculpture contemplates human relationships, expressed here by shouts and murmurs, the strange and the familiar.


Tony Oursler has gained international renown through his controversial exhibitions that uniquely combine sculpture, video, and performance to engender both irony and pathos. The artist’s research into the history of moving images, spirit photography, psychological disorders and cases of multiple personality have provided inspiration for the scripted mutterings, screams and twitches that he and his actors record on video. Recent large installations have drawn from youth culture and wireless communication.


Colors:



Related works featuring themes of: » Abstract Versus Figurative Art, » Biomorphic, » Calarts, » Collage, » American

The Carpenter
© » KADIST

Jeffry Mitchell

2012

Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench...

Man and Pet
© » KADIST

Jeffry Mitchell

2012

In Man and Pet (2012), two benign ceramic figures smile sweetly upward...

There are veins in these lands, I
© » KADIST

Rodney McMillian

2013

In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...

Oakland Girls
© » KADIST

Pascal Shirley

2006

Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...

Human Quarry
© » KADIST

Leslie Shows

Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...

Tribute to Inside Looking Out - For the male artists along my way
© » KADIST

Wong Wai Yin

2008

In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...

Gypsy
© » KADIST

Pascal Shirley

2006

Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...

Fashion Designer Marc Jacobs Is Selling Off His Entire Art Collection, Including a $3 Million Ed Ruscha - via artnet news
© » LARRY'S LIST

Ed Ruscha

The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....

The Last Post
© » KADIST

Shahzia Sikander

2010

The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...

No Title (Eh What Do?)
© » KADIST

Raymond Pettibon

The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style...

Untitled (Men)
© » KADIST

Matt Lipps

2011

In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...

#17 Pink
© » KADIST

James Welling

2005

#17 Pink is a photogram, a photographic image produced without the use of a camera...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Retired pilar
© » KADIST

Jin Shan

2010

Retired Pillar represents the death and deterioration of legacy of colonial Shanghai...

Up All Night, Waiting for the Chelsea Hotel Magic to Spark my Creativity
© » KADIST

Mario Garcia Torres

2010

In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...

Ongoing Time Stabbed with a Dagger
© » KADIST

Geoffrey Farmer

2009

Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself...

Splinters and Seconal
© » KADIST

Ed Ruscha

1973

In 1970, Ruscha began a series of paintings made from stains...

Untitled #242, 104, 975 combinations of a 2×2 grid, 18 colors
© » KADIST

John Houck

2013

Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines...

Subject, Silver, Prism
© » KADIST

Brian Jungen

2011

There are several elements to Subject, Silver, Prism ...