In 2011-12 the San Francisco-based collective Futurefarmers staged a 10-part series of conversations and collaborations with scientists, theorist, and philosophers inspired by Charles and Ray Eames’s film, Powers of Ten (1977). PoT was an IBM sponsored documentary that visualized the relative scale and limits of the known universe, both macro and microscopic, through a sequence of magnifications by 10-to-the-x-power. Using the picnic as human-scale index, Futurefarmers capture their meetings with scholars through audio, photography, and then distributed the results publicly through a website and publication . Futurefarmers work closely with each scholar to visually represent ideas ranging from microbial ecology to astro-physics.
Futurefarmers is an international, trans-disciplinary network. Founded in 1995 as a design studio, over the years, it has included artists, researchers, designers, farmers, scientists, engineers, and architects—all with a common interest in working together on deeply felt, long-term, field sensitive projects that defy current social, political, and economic systems. Futurefarmers involves itself with critical issues of the land and the air, the sea and the seed, rooted in the transformative power of knowledge sharing. The group, which has nodes in Northern California and Belgium, often employs research-oriented workshops, games, and participatory play as a means of engagement, education, and collaboration.
Météo des forêts — La MABA — Exhibition — Slash Paris Login Newsletter Twitter Facebook Météo des forêts — La MABA — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Météo des forêts Exhibition Film, installation, mixed media Upcoming Julien Prévieux et Virginie Yassef, L’Arbre, 2009 — Image : Élie Godard Film Super 8 transféré sur DVD — 7 min 18 — Ed 4 + 2 Courtesy des artistes Météo des forêts In about 1 month: January 18 → April 7, 2024 La MABA présente, du 18 janvier au 7 avril 2024, Météo des forêts : une exposition collective réunissant des travaux d’artistes de diverses générations travaillant différents médiums (dessin, photographie, vidéo, sculpture, installation…)...
The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
Weekly Picks: Malaysia (29 Oct – 4 Nov 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do October 29, 2018 Man Bai , at No Black Tie, 30 Oct, 9pm The award-winning singer songwriter Man Bai is best known for his hit single and karaoke staple, Kau Ilhamku ...
Weekly Picks: Indonesia (28 January - 3 February 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do January 28, 2019 Top Picks of Indonesia art events in Jakarta, Bandung and Surabaya from 28 January – 3 February 2019 Baron Basuning Studio, together with Galeri National Indonesia, invites you to NOOR, a solo exhibition of Baron Basuning’s works...
Reflecting upon the transformation of surveillance techniques since the panopticon to include contemporary 3-D facial recognition, AI, and the Internet, Shu Lea Cheang’s 3x3x6 – 10 cases 10 data restages the rooms of the Palazzo delle Prigioni—a Venetian prison from the sixteenth century in operation until 1922—as a high-tech surveillance space...
Le tatouage, un terrain de jeu artistique Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Des œuvres d’Ouriel Zéboulon exposées lors du vernissage de l’exposition « Faire Fair 2 », à l’espace 3537, à Paris, en avril 2023...
La Ruta by Natalia Lassalle-Morillo follows the Panoramic Route, a now weakened infrastructure that meanders through untouched natural landscapes and off-road destinations on the island of Puerto Rico...
John Steuart Curry: Weathering the Storm Skip to content John Steuart Curry, “Tornado Over Kansas” (1929), oil on canvas, (46 1/4 × 60 3/8 inches) “Tornado Over Kansas” (1929) is an iconic image in United States pop culture, but few people know its creator, John Steuart Curry, whose paintings of picturesque landscapes, communal gatherings, and devastating natural disasters have defined the country’s perceptions of the American Midwest since the late 1920s...
10 Undersung Women Artists Across 500 Years | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
A Ripe Volcano , a collaboration with Yasuhiro Morinaga, revisits two sites of violence and aggression in Thailand’s recent past: The Rattanakosin Hotel, the site where the military troops captured and tortured the civilians, students and protestors who were hiding inside the hotel during the Black May of 1992; and Ratchadamnoen Stadium, a Roman amphitheater-style Muay Thai boxing arena, which was built in 1941-45 during the Second World War and since then has become the theatrical labyrinth for more acculturated and commercially “acceptable” displays of bloodshed...
Untitled exemplifies the format that Anna Bella-Papp most commonly works in, using her hands to create delicate tablet-like reliefs within a rectangular form made out of clay...
L’exigence de la saudade Curated by Zasha Colah and Sumesh Sharma, Clark House Initiative, Bombay With: Padmini Chettur, Prajakta Potnis and Zamthingla Ruivah And the participation of: Nalini Malani, Krishna Reddy, Jean Bhownagary, Maarten Visser Intervention in the public space by: Justin Ponmany, Prabhakar Pachpute The exhibition brings together three artists from distant geographies within India – Padmini Chettur, a contemporary dancer, Prajakta Potnis, a visual artist, and Zamthingla Ruivah, a master weaver, whose works are conceptually engaged with remnant cultural forms, not as endangered traditions, rather to reinvent them in the present...