A Soldiers’ Garden #c
2012 - Photography (Photography)
120 x 80 cm
Nguyen 'Quoc' Thành
A Soldiers’ Garden by Nhà Sàn Collective is a night portrait series located in an army camp outside Hanoi. Here new recruits assemble for basic training during the first months of their military service, before they are relocated to their assigned battalion. Night is the only time the soldiers in training have a few moments for themselves. While some viewers may be drawn to the fresh faces of young soldiers, the images also hint at distances— between the subjects and viewers, intimacy and fear, darkness and light. In this context, the garden becomes a space of transition and in betweenness. Here, the young recruits, mostly under 20-years-old, are “transitioned” into adulthood. They are no longer civilians, but not yet fully-fledged soldiers, and must negotiate this peculiar space of masculinities and male sexualities. Many of them were previously living with parents in the countryside. These portraits commemorate a particular moment in the young recruits’ lives, in which they are initiated into a new space-time of total order: physical, political, economic, and social.
Nhà Sàn Collective (NSC) began operating as an independent artist collective in Hanoi in 2013, when a group of friends set up a publicly accessible space. With or without a physical base, NSC has worked with fellow companions and collaborators to organize exhibitions, workshops, film screenings, talks, and other activities as a support platform for artists in the community. The initiative wants to encourage exchange, expansion, and connection. It is a place that is open toward works in progress and the unexpected; a just-do-it attitude that does not always yield answers. The collective board consists of Truong Que Chi, Nguyen Phuong Linh, Nguyen Quoc Thanh, Vu Duc Toan, and Tuan Mami. The name Nhà Sàn signifies the collective’s foundation which is rooted in the spirit of Nhà Sàn Studio, an artist-run space founded in 1998 in Hanoi. The original Nhà Sàn, a house on stilts, was taken apart in 2020. In the Ngoc Thuy area by the bank of the Red River, the artists imagine this house to become the new Nhà Sàn Collective space, rebuilt, and transformed.
Colors:
Related works sharing similar palette
© » KQED
The Best Late-Night Crab and Garlic Noodles in San Bruno | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint The Midnight Diners Some of the Bay Area’s Best Garlic Butter Crab Is Served in San Bruno After Midnight Luke Tsai Thien Pham Feb 8 Save Article Save Article Failed to save article Please try again Email The Dungeness crab and garlic noodles at San Bruno’s A-One Kitchen hold their own against any restaurant in the Bay — and they’re available until 1 a.m...
© » LENS CULTURE
In Pieces - Photographs by Sophia Bulgakova, Lia Dostlieva, Ola Lanko, Katia Motyleva and Kateryna Snizhko | Book review by Sophie Wright | LensCulture Feature In Pieces In this imaginative collection of photobooks “made with a child in mind,” five artists of Ukrainian descent explore the everyday heroism of life in wartime...
© » KADIST
Sharon Lockhart
2008Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
© » KADIST
Carolina Caycedo
2014YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
© » ARTS EQUATOR
Experiencing a slice of life: Artist’s Block by ArtWave | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Zinkie Aw March 1, 2022 By Noorul Raaha As’art (830 words, 3-minute read) Waterloo Street is a smorgasbord of sensory experiences, from Hindu and Buddhist temples coexisting side by side, to old uncles and aunties hawking religious paraphernalia, shaded by their New Moon abalone umbrellas, and stalls offering acupuncture services, amongst other things...
© » KQED
Review: ‘Leave the World Behind’ Is a Brilliant Hitchcockian Thriller | KQED Skip to Nav Skip to Main Skip to Footer The Do List ‘Leave the World Behind’ Is a Terrific Blend of Thriller, Disaster and Satire Mark Kennedy, Associated Press Dec 5 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Mahershala Ali, Myha’la Herrold, Julia Roberts and Ethan Hawke in ‘Leave the World Behind.’ (JoJo Whilden/ Netflix) Imagine that it’s close to midnight and there’s a knock at the door of your luxurious weekend rental home...
© » SOUTH CHINA MORNING POST
French artist’s sea-life sculptures amaze and terrify in Hong Kong exhibition at Tai Kwun | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more French artist Jean-Marie Appriou with some of his sea-life sculptures at his exhibition “Magnetic” at Tai Kwun, Hong Kong...
© » KADIST
Santiago Yahuarcani
2017The series Castigos del caucho by Santiago Yahuarcani originates in the oral memory transmitted by the artist’s grandfather, who was a survivor of the Putumayo genocide where thousands of Indigenous people were annihilated and enslaved to extract rubber from the Amazon forest between 1879 and 1912...
© » KADIST
Meschac Gaba
2010The headdresses, woven from artificial hair braids, symbolize historical icons including Martin Luther King, Kwame Nkrumah, Fela Kuti and King Guézo of Dahomey...