A Rising Tide Lifts All Boats

A Viewing (The Effect) by Anthony Discenza is a continuous voiceover loop intended for presentation in a dedicated, light-and-acoustically controlled space...

Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...

Royal Velázquez Portrait Expected to Shatter Auction Records | Observer A portrait of a Spanish queen painted by Diego Velázquez, the 17th-century artist celebrated for his depictions of Spain’s royal family, is expected to shatter his auction record when it goes up for sale early next year...

The United Kingdom is set to return some of Ghana's revered "crown jewels" more than a century after being looted.....

Podcast 65: M1 CONTACT Contemporary Dance Festival (Part 1) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Crispian Chan September 12, 2019 Duration: 20 min Podcast host Chan Sze-Wei and guest Melissa Quek discuss works they saw at the recent M1 CONTACT Contemporary Dance Festival, specifically at the platforms DiverCity, Off Stage and M1 Open Stage...

A Viewing (The Effect) by Anthony Discenza is a continuous voiceover loop intended for presentation in a dedicated, light-and-acoustically controlled space...

The Near-Future Artworlds Curatorial Disruption Foresight Group is a forum for informal dialogue about megatrends and the future of contemporary art institutions...

The British patron’s annual meetings on the Greek Island were a “who’s who of the contemporary art world”...

Join us to welcome Yin-Ju Chen , Kadist SF artist-in-residence this Spring...

Jorge González joins KADIST San Francisco for a short residency to expand on his long-term research on Indigenous craft techniques and knowledge specific to the Carribean...