In Anthony Discenza’s 23-minute audio loop that makes up A Rising Tide Lifts All Boats , a nondescript male voice narrates a series of unlikely pairings: “think Dune meets South Pacific;” “think dubstep meets the Magna Carta;” “think the Food Network meets Igmar Bergman.” Given without inflection or emotion, this recitation uses the structure of a Hollywood elevator pitch to sketch out an unknown project, idea, or structure, conflating and collapsing cultural referents into an implausible mass of contradictions.
Since the late 1990s Anthony Discenza’s work has focused primarily on the omnipresence of mainstream media. In addition to his personal work, he devotes a great deal of time to HalfLifers, an ongoing collaboration with longtime friend and fellow video artist Torsten Z. Burns.
A Viewing (The Effect) by Anthony Discenza is a continuous voiceover loop intended for presentation in a dedicated, light-and-acoustically controlled space...
Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...
The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere...
A Viewing (The Effect) by Anthony Discenza is a continuous voiceover loop intended for presentation in a dedicated, light-and-acoustically controlled space...
Anthony Discenza Meets Mungo Thomson Meets Harrell Fletcher Meets Alicia McCarthy Meets Eleanor Antin Meets Jason Meadows Meets Rodney Graham Meets Pascal Shirley Meets Ari Marcopoulos Meets Paul McCarthy Meets James Welling Meets Catherine Opie Meets Tammy Rae Carland Meets Ed Ruscha curated by David Kasprzak...