In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique. His ultimate goal is to reveal the ways in which social image is constructed and to cast doubt on the ephemeral vision of a middle-class utopia offered by mass media.
Zhang Peili is generally recognized as the first Chinese artist to use video as a primary medium. A leading figure of the Chinese avant-garde movement and a founding member of the artist collective “Pond Society” in the 1980s, he has developed a highly respected international career. Zhang’s earlier works experimented with the aesthetics of boredom and looked at themes of technological, social, and political control. His more recent work interrogates viewing conventions, perceptions of time, and notions of progress through the remixing and editing of found footage. Zhang has been a mentor to many younger Asian artists working with new media.
Hampstead Heath's notorious gay cruising spot recreated for London exhibition Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions review Hampstead Heath's notorious gay cruising spot recreated for London exhibition Trevor Yeung, who will represent Hong Kong at the next Venice Biennale, considers the unspoken language of public sex for his Gasworks solo show Kabir Jhala 7 December 2023 Share Installation view of Trevor Yeung's Soft Ground at Gasworks, London Like many of us, the artist Trevor Yeung spent his time during the Covid-19 lockdowns in London taking long walks...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
Cityscapes, Landscapes, and Figure Paintings by Mitchell Johnson on View in Menlo Park Skip to content Mitchell Johnson, “Brooklyn Bridge (Martha)” (2023), oil on canvas, 24 x 36 inches Flea Street restaurant in Menlo Park, California, presents an exhibition of paintings by Bay Area artist Mitchell Johnson ...
Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Nicolas Daubanes — Du béton, de l’acier et de la viande Exposition Architecture, installations Derniers Jours Nicolas Daubanes, La grâce présidentielle, à la galerie Territoires Partagés, Marseille PAC 2022 © JC Lett Nicolas Daubanes Du béton, de l’acier et de la viande Encore 6 jours : 22 septembre → 17 décembre 2023 La pratique artistique de Nicolas Daubanes se déploie à travers le dessin, la sculpture, la vidéo et l’installation...
Ground Control — (and the stars look very different today) — Topographie de l’art — Exhibition — Slash Paris Login Newsletter Twitter Facebook Ground Control — (and the stars look very different today) — Topographie de l’art — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Ground Control — (and the stars look very different today) Exhibition Mixed media © Topographie de l’art Ground Control (and the stars look very different today) Ends in about 1 month: November 24, 2023 → January 11, 2024 Demain n’est pas qu’une simple projection d’aujourd’hui ; l’avenir se définit tout aussi bien comme le reflet de notre imaginaire à la surface de miroirs que l’on a plus ou moins éloignés dans le temps...
Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Nicolas Daubanes — Du béton, de l’acier et de la viande Exhibition Architecture, installation Closing Nicolas Daubanes, La grâce présidentielle, à la galerie Territoires Partagés, Marseille PAC 2022 © JC Lett Nicolas Daubanes Du béton, de l’acier et de la viande Ends in 6 days: September 22 → December 17, 2023 La pratique artistique de Nicolas Daubanes se déploie à travers le dessin, la sculpture, la vidéo et l’installation...
Does new M+ exhibition based on East Asian ink landscape paintings go too far or not far enough? | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more “(All is) non-hierarchical” (2022), a ceramic sculpture by Macanese artist Heidi Lau, at “Shanshui: Echoes and Signals”, the new exhibition at Hong Kong’s M+ museum of visual culture based on East Asian ink landscape paintings...
Rocket Society refers to a space project led by a group of Armenian researchers at the beginning of the 1960s...
'Daaaaaalí!': Surrealist icon Salvador Dali brought to life in new French film - arts24 Skip to main content 'Daaaaaalí!': Surrealist icon Salvador Dali brought to life in new French film Issued on: 08/02/2024 - 16:45 10:36 arts24 © FRANCE 24 By: Jennifer BEN BRAHIM | Marion CHAVAL | Magali FAURE | Clémence DELFAURE | Alison SARGENT He was a surrealist icon with an iconic moustache...
Sable Elyse Smith’s Pivot III resembles playground equipment uselessly reconfigured...
10 Must-See Works at the Museum of Modern Art | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Art that Moves: Marc Nair | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: National Arts Council June 19, 2018 Art that Moves is an occasional series where we ask artists and other creative workers to reflect on artworks, performances or events that were personally important to them...