From the Ending
2017 - Painting (Painting)
51 x 63 inches each
Rocky Cajigan
From the Ending by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor. The bright pink object central to the painting is based on a photograph, and the artist’s personal memory, of a Bontoc ancestral tomb, commonly located at close proximity to a family home. The painting is covered by a net material simulating a fence, creating a certain bodily distance from the viewer’s perspective. This barrier can be read, on one hand, as the symbolic threshold to the mortal world, and on the other hand, as a demarcation of individual territoriality and capitalisation of (ancestral) land. The artist has tied colourful threads of fabric to the fence, which he untangled from a souvenir textile woven by Igorot weavers for tourism demand. On the floor, fragments of Igorot basket-art, also made for tourists, but commonly used in the area due to its low cost, have been casted to a concrete base. In the Cordilleras, concrete is a construction material that is rapidly occupying the visual landscape, as it appears in the construction sites surrounding the tomb in the painting. This work presents layers of symbolic complexity and the possibility to translate the contextual specificities of Cajigan’s Indigenous and social background.
Rocky Cajigan is a Bontoc Igorot artist working in the contemporary contexts of Indigenous people from the Cordilleras region in the northern state of Luzon island in the Philippines. The artist’s practice, which includes found objects, assemblage, realist painting and archival-based installations, stems from a critical perspective on the cultural essentialism and minority politics in the country’s nationalistic instrumentalization of Indigenous people. Coming from a female lineage of Igorot weavers, Cajigan’s works are deeply connected to his psycho-biography and personal memory which he links to the inherited legacies of colonialism and cyclical neo-colonialism in the country’s continuing feudalization. With a criticality towards new realities shaped by the current state of globalization, there is also crudeness, nostalgia, and anger in Cajigan’s work; his unique image-making is often based in humour, irony, and queerness.
Colors:
Related works sharing similar palette
© » THE GUARDIAN
When Forms Come Alive; Beyond Form: Lines of Abstraction 1950-70 review – a restless triumph and a badly lit jumble sale | Sculpture | The Guardian Skip to main content Skip to navigation Skip to navigation ‘You are viscerally aware of being caught in some nameless system’: Pumping (2019) by Eva Fàbregas at the Hayward Gallery...
© » KADIST
Société Anonyme: Week 5 March 3 – 16, 2008 Saturday, March 8, from 6 – 9 p.m Presentation of “Art conceptuel, une entologie” (Editions MIX, edited by Gauthier Herrmann, Fabrice Reymond & Fabien Vallos) “Art Conceptuel, une entologie” is a collective translation experience of 278 conceptual artworks, most of them available for the first time in French...
© » KADIST
Rometti Costales
2013The three cut-outs are made of three aerial photographs coming from the archives of the Ecuadorian Military Geographic Institute...
© » ARTS EQUATOR
Quiz: How well do you know Southeast Asian films? | ArtsEquator Skip to content While the works of Steven Spielberg, Wong Kar-wai and Bong Joon-ho have left a mark on the world, we should not forget our homeground talents, from the late Malaysian director Yasmin Ahmad, to Indonesian actor Iko Uwais, and father of Philippines cinema, José Nepomuceno...
© » EYE OF PHOTOGRAPHY
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
© » KADIST
Tanatchai Bandasak
2019Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War...
© » KADIST
Hana Miletic
2019Incompatibles (Unitas) is made from discarded samples of the yarns that are exported from Croatia and not actually available in the local market...
© » KADIST
Christoph Keller
2007Message to the Extraterrestrials consists of a slide projector beaming images into the side of the telescope...
© » THEARTNEWSPER
Art Basel serves up a croc of gold with its reptile-themed art Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Art Basel serves up a croc of gold with its reptile-themed art Mind your step: in true Floridian style, a number of works at this year’s fair take crocodiles or alligators as their subjects Alexander Morrison 8 December 2023 Share Florian Krewer, winding (2023) © Liliana Mora Florian Krewer, winding (2023), Michael Werner Gallery The New York-based artist Florian Krewer uses animal motifs to “convey emotions he could not physically put into people”, says Michael Werner Gallery’s Birte Kleemann...
© » KADIST
Laetitia Sonami
2006Although at first the work Sounds of War presents itself with a degree of playfulness and humour, a close inspection reveals its painful undertone...
