9 O’clock? (my time is not your time)

Eight opens with a close up of a painting by Hubert Robert of the Chateau de Chamarande where the film was shot...

Like with other works of the artist, with First Piano Katinka Bock tried to go against the rules of use of clay, that is, by forcing the material to the extreme, and transferring the resulting elements into a cubic shaped volume...

Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...

For Bettina Poutsttchi’s large-format, site-specific photographic work Echo (2009–10), the four exterior walls of the Temporäre Kunsthalle Berlin were covered with a digitally edited collage of archival images of the glass-and-steel facade of the Palast der Republik (Palace of the Republic), which had once been located nearby...

Tughra is a protocol by Sharif Waked that reproduces the sixteenth century calligraphic monogram for tughra ; also known as the signature of Suleiman the Magnificent...

On View: “Making Their Mark,” Works from the Shah Garg Collection | Observer Art collector Komal Shah’s first acquisition of Rina Banerjee’s work on paper, It Rained so she Rained (2009), marked the start of a collecting journey firmly rooted in championing women artists...

Known But to God: The Dug Up, Dissected, and Disposed for the Sake of Medicine by Doreen Lynnette Garner is a small, suspended sculpture composed of glass, silicone, steel, epoxy putty, pearls, Swarovski crystals, and whiskey...

Collaborative approach fuels rise of San Francisco’s Friends Indeed gallery Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art market news Collaborative approach fuels rise of San Francisco’s Friends Indeed gallery Founder Micki Meng shows that working with like-minded gallerists can be an art trade superpower Julie Baumgardner 12 February 2024 Share For Meng, collaboration means sharing artists with other galleries, as well as sharing information on collectors and dealers with trusted colleagues Photo: Mike Egan Although some dealers seem to have adopted collaboration as merely their latest business strategy, it is an inherent practice for Micki Meng, the founder of what she calls her “gallery-cum-institution” Friends Indeed...

Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach...

In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...

In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...

The New-York Historical Society and others are soliciting donations of objects and ephemera to document the "unprecedented times in which we are now living"...

Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive...

Flag (Thames) 2016 depicts a small section of the Thames River—one that is adjacent to the Palace of Westminster in London—as an algorithmic representation on an LED panel...