450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site. The cut shape mirrors the precise shape of the Kadist gallery floor, where the concrete was relocated as part of his residency exhibition entitled Somewhere, Elsewhere, Anywhere, Nowhere. Through this concrete graft, Cidade inextricably links the city with artwork. His installation observes while it also inscribes an entropic building situation within this specific place in the city, and simultaneously, any place in any city.
Marcelo Cidade is an artist of situations, if not a Situationist of a new age, as he drifts through city streets around the world creating actions, interventions, films, photographs or drawings. His interests lie in the possibilities of public space and its connection with the private sphere, he resists forms of constraint and moves freely within the human community and through urban environments. Questioning systems and working in the peripheries or interstices allows Cidade poetic freedom in his artistic practice and open engagement with language, art history and politics. In 2005, he wrote “To resist = to (re) exist” 2000 times in downtown São Paulo.
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
Another America — AI-Generated Photos from the 1940s and 50s - AI-generated images by Phillip Toledano | Interview by Jim Casper | LensCulture Interview Another America — AI-Generated Photos from the 1940s and 50s Phil Toledano has often pushed the boundaries of photography to imagine the future; now he’s tapping into AI to create alternative histories, challenging our belief in any images at all...
For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread...
dbqp is a photographic series in which the artist handles an enlargement of the plate with three cutout windows which was used for L’Archipel (The Archipelago) in collaboration with Pierre Leguillon...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
7 Art Shows to See in New York, February 2024 Skip to content A detail of Apollinaria Broche’s “I Close My Eyes Then I Drift Away” (2023) at Marianne Boesky Gallery (photo Hrag Vartanian/ Hyperallergic ) The short month of February still packs a lot of art in New York City, from a survey of the influential Godzilla Asian American Arts Network to Apollinaria Broche’s whimsical ceramics and Aki Sasamoto’s experimentations with snail shells and Magic Erasers in her solo show at the Queens Museum...
Yangon's well loved Palace of Literature (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 3, 2018 The four storey yellow painted building with big masonry work of books in black and white pages for its motif loomed high at the corner of Merchant Road and 37th street...
Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...
ITALY: A New Collective Landscape at HKDI Gallery – ARTOMITY 藝源 100 Italian designers under 35 / ITALY: A New Collective Landscape Jan 19 – May 19, 2024 / Curated by Angela Rui / HKDI Gallery Hong Kong Design Institute 3 King Ling Road, Tseung Kwan O Northern Territories, Hong Kong +852 3928 2566 Wednesday – Monday, 10am – 8pm hkdi.eu.hk Fresh off its successful debut at Milan’s ADI Design Museum last year, the touring exhibition is on display at HKDI Gallery...