450 Hayes Street (excavation site) by Marcelo Cidade is a large scale photograph documenting the artist’s excavation of a parking lot located at 450 Hayes Street in San Francisco, a former section of the city’s Central freeway and current condominium site. The cut shape mirrors the precise shape of the Kadist gallery floor, where the concrete was relocated as part of his residency exhibition entitled Somewhere, Elsewhere, Anywhere, Nowhere. Through this concrete graft, Cidade inextricably links the city with artwork. His installation observes while it also inscribes an entropic building situation within this specific place in the city, and simultaneously, any place in any city.
Marcelo Cidade is an artist of situations, if not a Situationist of a new age, as he drifts through city streets around the world creating actions, interventions, films, photographs or drawings. His interests lie in the possibilities of public space and its connection with the private sphere, he resists forms of constraint and moves freely within the human community and through urban environments. Questioning systems and working in the peripheries or interstices allows Cidade poetic freedom in his artistic practice and open engagement with language, art history and politics. In 2005, he wrote “To resist = to (re) exist” 2000 times in downtown São Paulo.
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
One Thousand and One Attempts to Be an Ocean by Yuyan Wang reflects on the experience of not being able to see the world with depth perception...
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
Another America — AI-Generated Photos from the 1940s and 50s - AI-generated images by Phillip Toledano | Interview by Jim Casper | LensCulture Interview Another America — AI-Generated Photos from the 1940s and 50s Phil Toledano has often pushed the boundaries of photography to imagine the future; now he’s tapping into AI to create alternative histories, challenging our belief in any images at all...
Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...
Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...
In her recent work, Biernoff is interested in investigating fictions and fantasies embedded in the remnants of consumer culture (for example magazines) or through ephemera such as postcards and old photographs...