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The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera. These are very successful in transcending the local into the global and/or universal. Memory, surveillance, and the routine and/or familiar, life in terms of both the political life and the social collective life shared by the constant reminder of the shut-off island psychological landscape.
Context is everything when it comes to the work of Humberto Diaz. Context in the limitations of technology in Cuba, context in the construction of an audience that is grounded on the idea of a shared experience, and context in the daily struggle to find the poetic in the everyday and the quotidian. Out of context they still resonate with authenticity and a genuine feel for the poetic, video as a tool for formulating quick ideas, observations and notations within one’s own environment.
Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...
Drowned Wood Standing Coiled (2011) consists of two sculptures, inextricably linked...
Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
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In a Material World: IMPART Collectors’ Show 2020 & Justice for All | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of artists January 3, 2020 By Aditi Shivaramakrishnan (1,200 words, 5-minute read) When it comes to analysing an artwork, the artist’s choice of materials can be as revelatory as other elements in suggesting what they might wish to communicate...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
« L’Art du livre », de Michel Melot et Anne Zali : la splendeur à l’ouvrage Offrir Le Monde Article réservé aux abonnés Reliure originale en soie violette brodée d’or, fleurs et ornements en soie, chiffre de Marie de Médicis et couronne en perles fines, dos long à semé de fleurs de lis dans un encadrement, ruban de gros de Tours parme, avec lisière en dentelle dorée...
The photograph Proxy II (Beetles) by Robert Zhao Renhui belongs to a series, titled Christmas Island, Naturally, that focuses on the ecology of Christmas Island; a remote volcanic land formation in the Indian Ocean...
Ticket to Paradise: An Interview Whitney Oldenburg at Chart Gallery advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Ticket to Paradise: An Interview Whitney Oldenburg at Chart Gallery By CLARE GEMIMA December 13, 2023 The intellectual landscape of sculptures and drawings in Whitney Oldenburg's latest exhibition, Ticket to Paradise (notably the work in the show entitled Feeding Frenzy), scrutinizes the intricate dynamics between protection and waste in the context of contemporary consumption...
Office Lady with a Red Umbrella restages a figure from a 1980 postcard made from a photograph from 1950’s...
Weekly Picks: Singapore (25 February – 3 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do February 25, 2019 Still Life by Checkpoint Theatre , opening 28 February, 72-13 Mohammed Sultan Road What happens when an artist picks up her paintbrush after a long hiatus? Does the body still remember what has been lived? Or are the senses dulled by time, the joints fused with experience? Still Life is an affecting look at life and art-making...