60:00 minutes
The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera. These are very successful in transcending the local into the global and/or universal. Memory, surveillance, and the routine and/or familiar, life in terms of both the political life and the social collective life shared by the constant reminder of the shut-off island psychological landscape.
Context is everything when it comes to the work of Humberto Diaz. Context in the limitations of technology in Cuba, context in the construction of an audience that is grounded on the idea of a shared experience, and context in the daily struggle to find the poetic in the everyday and the quotidian. Out of context they still resonate with authenticity and a genuine feel for the poetic, video as a tool for formulating quick ideas, observations and notations within one’s own environment.
The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera...
Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...
Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
Visitor numbers for UK museums show signs of recovery Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums news Visitor numbers for UK museums show signs of recovery Figures for the first half of 2023 show an increase over the year before, although still below their pre-Covid peaks Gareth Harris and Lee Cheshire 8 December 2023 Share Tate Britain’s rehang was revealed in May 2023...
The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera...
In Destinos Posibles Garciga performs a service in Havana, Cuba by offering strangers in the streets a “ride” to wherever they are going for free, in exchange he demands that the passengers address the question “what do they want from life?” A poignant video within the context of the limitations the Cubans have in terms of choices, desires, fantasies, and longing....
A child and dreamer my whole life long (broken tree) (2004) is a sculpture made of filler, wire, copper, oil paint, and wood depicting a tree just at it’s moment of breaking into half – one part alive with foliage and blooming branches and the other the crisp of the break exposed, with the trunk adhered solidly to a plinth...