30 Proposals of Flag explores the relationships between signs, meanings, aesthetics, and nations. The artwork consists of 30 flags layered together and hanging from the ceiling. Each flag is illustrated with Jao’s rendition of a possible coat of arms derived from Taiwan’s economic and political history.
Chia-En Jao’s artwork approaches issues of identity, political regimes, coded sign systems, and his own experiences as a migrant. He works in a variety of media, including video, installation, projection, and two- and three-dimensional work. He studied at the Taipei National University of the Arts in Taipai (2000), the École Nationale Supérieur des Beaux-Arts in Paris (2004), and Goldsmiths College in London (2007).
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
Farah Al Qasimi’s approach to photography deviates from the norms and conventions of traditional figurative and portrait photography...
A conversation with Onyedika Chuke, artist and curator of STORAGE advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 A conversation with Onyedika Chuke, artist and curator of STORAGE Onyedika Chuke...
Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 — Centre Georges Pompidou — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 — Centre Georges Pompidou — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 Exposition Céramique, dessin, sculpture Marc Chagall, Maquette pour le plafond de l’Opéra Garnier, 1963 Encre de Chine, mine graphite et feutre sur papier découpé — Diamètre : 33,5 cm Don de Mme Meret Meyer, 2022 Chagall à l’œuvre Dessins, céramiques et sculptures 1945-1970 Encore 3 mois : 4 octobre 2023 → 26 février 2024 L’exposition réunit un ensemble d’œuvres entrées en collection en 2022 grâce à la générosité de Bella et Meret Meyer...
Big Brother is watching you: the exhibition aiming to tackle surveillance and censorship (via SEA Globe) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar June 21, 2018 Surveillance and censorship are becoming part and parcel of daily life around the world, and yet many citizens seem content to turn a blind eye to it...
For the work Wigan Pit-Brow Women: Intersections with the Caribbean (mobile) , Candice Lin studied English Victorian Arthur Munby’s racialized and masculinized drawings of working-class white female miners...
Laurent Le Deunff — Easter Eggs — Galerie Semiose — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Laurent Le Deunff — Easter Eggs — Galerie Semiose — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Laurent Le Deunff — Easter Eggs Exposition Dessin, sculpture, techniques mixtes Laurent Le Deunff, vue de l’exposition Easter Eggs, galerie Semiose, Paris Courtesy of the artist & Semiose, Paris — Photo : DR Laurent Le Deunff Easter Eggs Encore 19 jours : 18 novembre → 30 décembre 2023 Les sculptures présentées dans l’exposition Easter Eggs se présentent comme des totems composés d’une suite inattendue d’objets, culturels ou naturels, associés avec une très grande liberté...
In pictures: Matthew Weinberger captures 2024 nightlife in NYC | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Art & Photography Q+A The 24-year-old photographer discusses his background, shooting from the hip and why generations continue to flock to New York City 9 February 2024 Text Habi Diallo Matthew Weinberger – 2024 NYC Cultural Lift Off 22 As a native of the world’s creative capital, 24-year-old Upper East Side-born photographer Matthew Weinberger has had his eye on his city since a young age...
What the Arts in Malaysia Needs: More Transparency, Less Intermediaries | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles July 2, 2018 By Kathy Rowland (2145 words, 8 minute read) 2 July 2018 – The receding brown moon on millions of Malaysians’ fingernails are a biological marker of the eight weeks since the end of the Najib administration...
The installation Breathspace by Eduardo Navarro encompasses all the content presented at the artist’s first solo exhibition, of the same name, at Gasworks, UK...
Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...