32:07 minutes
25 by Vuth Lyno addresses the legacy of the UN’s 1992-93 peacekeeping operation in Cambodia (UNTAC). This operation steered the country’s transition out of three decades of war and destruction—civil war, the Khmer Rouge era (1975-79), and the factional conflicts of the 1980s—towards a new, ‘democratic’ future. It was the most ambitious and successful UN peacekeeping mission of its time. Yet, it ultimately produced new cycles of injustice. For this work, Lyno undertook archival and ethnographic research concerning a generation of children born of relationships between UNTAC peacekeepers and Cambodian partners. Many UNTAC children have Cambodian mothers but have lost touch with their African fathers. They embody the complex relationships between Cambodia and other impoverished nations, engineered and mediated by the UN. Against a studio backdrop redolent of UNTAC’s own TV channel, three such people—now young adults—share their experiences of cultural othering and their views on the UN mission. The clean, frontal composition gestures at once toward the video aesthetics of contemporary mass culture, and more instrumental genres in which the medium has served evidentiary and testimonial purposes. Through candid and intensely personal storytelling, this work achieves a succinctness that leaves room for the viewer to unpack the complexity of this history directly from the young people’s lived experience. In the global contexts of today’s febrile racial politics, the crisis of faith in multilateralism, and the urgent renewal of histories of solidarity, this work reminds us of the power of first-person testimony to cut through the noise of ideology.
Vuth Lyno’s artistic practice operates at a crucial intersection of contemporary Khmer culture. Working across many forms including photography, audio-visual installation, sculpture, and architecture, Lyno engages overlooked histories, notions of community and place-making, and the production of social relations. His raw materials are often the narratives of Cambodian people, gleaned by way of quasi-ethnographic, archival, and visual research, and activated through participatory encounter, pedagogical experiment, and tactile construction. Like artists in many developing nations, Lyno wears many hats: researcher, educator, curator, manager, advocate, and community developer. The independent organizations, such as Sa Sa Art Projects, that Lyno has co-founded, contributed to, and built over the years, are crucial links in a lively, but patchy art sector largely devoid of public-institutional support. They are pivotal for education and training; they are the key conduits for international discourse and opportunities; they are the main nurseries of experimentation.
Ça pourrait être mieux — Analix Forever Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Ça pourrait être mieux — Analix Forever Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Ça pourrait être mieux Exhibition Film, installation, lithography / engraving, books.....
Ça pourrait être mieux — Galerie Analix Forever — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Ça pourrait être mieux — Galerie Analix Forever — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Ça pourrait être mieux Exposition Film, installations, lithographie / gravure, livres.....
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
One Universe, One God, One Nation was inspired by Hannah Arendt’s analysis of space exploration and by the astrological horoscope of Chinese political and military leader Chiang Kai-shek (1887-1975)...
Resilient Currents: On Communal Re-Existence — Forma — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Resilient Currents: On Communal Re-Existence — Forma — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Resilient Currents: On Communal Re-Existence Exposition Techniques mixtes À venir Seba Calfuqueo, Miroir d’eau (capture d’écran), 2023 Courtesy de l’artiste Resilient Currents: On Communal Re-Existence Dans environ un mois : 21 mars → 25 avril 2024 Artistes : Seba Calfuqueo, Colectivo Ayllu, Carolina Caycedo, Patricia Dominguez, Regina José Galindo, Sonia Gomes, Jorge Gonzalez, iki yos piña narváez, Guadalupe Maravilla, Noé Martinez, Nomasmetaforas, Rangiñtulewfü, Rojo Negro, Angelica Serech, Maria Sosa, parmi d’autres...
Peter Doig — Reflets du siècle — Musée d’Orsay — Exhibition — Slash Paris Login Newsletter Twitter Facebook Peter Doig — Reflets du siècle — Musée d’Orsay — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Peter Doig — Reflets du siècle Exhibition Painting Peter Doig,Two Trees, 2017 (Détail) The Metropolitan Museum of Art, New York © Peter Doig...
SEE WHAT SEE: SEA AT SGIFF 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 28, 2021 By ants chua, Ruby Thiagarajan and Janiqueel (1,200 words, 4-minute read) In this edition of See What See, we review three films made by Southeast Asian directors and featuring Southeast Asia currently showing at the Singapore International Film Festival 2021 (SGIFF)...
J’ai pleuré devant la fin d’un manga — Edouard-Manet de Gennevilliers Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook J’ai pleuré devant la fin d’un manga — Edouard-Manet de Gennevilliers Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next J’ai pleuré devant la fin d’un manga Exhibition Ceramic, drawing, film, lithography / engraving.....
This film refers directly and fictionally to one of the first media dramas: the burning of the Zeppelin aircraft LZ 129 Hindenburg as it landed in New York in 1937...
Happy Lunar New Year! 5 Things to Know About the Year of the Dragon | KQED Skip to Nav Skip to Main Skip to Footer upper waypoint Arts & Culture Happy Lunar New Year! 5 Things to Know About the Year of the Dragon Rae Alexandra Feb 9 Save Article Save Article Failed to save article Please try again Email The Year of the Dragon begins is upon us...
© 2023 All rights reserved - The Eye of Photography Olivier Culmann, URSSAF Normandie, site du Havre @ Olivier Culmann Le Havre, Seine-Maritime, Normandie, France 10/05/2023 © Olivier Culmann / Tendance Floue @ Thomas Jorion @ Sidonie Van Den @ Isabelle Scotta @ Carlo Lombardi S From October 21st to January 7th, 2024, for its 14th edition, 25 international photographers, both established and emerging, can be discovered in an open-air exhibition tour throughout the city, on the beach, and indoors at Point de Vue and Les Franciscaines...
Burning Questions: Can Critics Criticise during a Pandemic? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints August 5, 2020 As the work of artists evolve with the restrictions of COVID-19, do critics also need to reassess how they look at performance? Four critics, Loo Zihan, Teo Xiao Ting, Jocelyn Chng and Germaine Cheng discuss their responses as more and more performances go online, and whether it has led to a recalibration or softening of their critical eye...
A woman meticulously tidies up the room of a ruined house in the village of Ain Fit in the occupied Syrian Golan...
Burning Questions: Traditional Arts: The Forgotten COVID Casualty? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints July 28, 2020 While the pandemic has resulted in losses of jobs in the arts, less has been said about the fate of craftsmen, artisans and masters of intangible heritage and traditional arts...