246247596248914102516… And then there were none narrates a semi fictional account centered around the ambiguous history of the Democracy Monument in Bangkok, and on the aftermath of the 1973 demonstration of 400,000 people who marched against the military junta from Thammasat University to the monument. Built on archival and oral history, the story interweaves the personal with grand historical narratives to consider the complicated history behind the monument – symbolic of the unrest and violence that led to the Thammasat University massacre on October 6, 1976.
Arin Rungjang’s practice is known to revisit historical and political narratives, both major and minor, as a means to consider the past, present and future. He often employs everyday objects as a device to open the work up to multiple perspectives and re-narrate histories from the context of today. With a practice involving multiple mediums, particularly video and site-specific installations, Rungjung’s work nimbly draws together remote instances to intersect and situate the lesser-known narratives of Thai history within the present-day.
Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, Switzerland (News) - ArteFuse Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, the first led by the show’s new Director Maike Cruse With 287 premier galleries from 40 countries and territories, Art Basel will once again bring together the international art world at its marquee fair in Basel, Switzerland...
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exhibition — Slash Paris Login Newsletter Twitter Facebook Le Droit à l’oubli — Musée Transitoire #3 — Musée Transitoire — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Le Droit à l’oubli — Musée Transitoire #3 Exhibition Mixed media Jean-Charles de Quillacq, vue de l’exposition Le Droit à l’oubli, Musée Transitoire #3 © Musée Transitoire Le Droit à l’oubli Musée Transitoire #3 Ends in about 2 months: January 26 → March 30, 2024 Date de clôture provisoire Artistes : Bas Jan Ader, Mégane Brauer, Sarah Bucher, A...
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...
This artwork was part of a group of projects presented in the Japanese Pavilion at the Venice Biennale in 2013...
Tanaka’s unique understanding of objects and materials is reflected in the four photographs that document his Process of Blowing Flour ...
Tom Nicholson’s Comparative Monument (Palestine) engages a peculiar Australian monumental tradition: war monuments that bear the name “Palestine”...
With Martha Araújo, Milena Bonilla, Angelica Mesiti, Shitamichi Motoyuki and Emilija Škarnulyte Curated by Marie Martraire, director of KADIST, San Francisco Reflecting on the relationship between History and memory, the group exhibition Moving Stones focuses on the body as a site of engagement to address our collective past embodied in public monuments...
This work presents the image of an immolated monk engraved on a baseball bat...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...