20
2012 - Photography (Photography)
Chris Wiley
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
Chris Wiley produces photographs that question how we experience our built environments. Trained in contemporary art theory, his practice interrogates notions of the real by subverting familiar tropes in architectural photography. His prints do not depict buildings and structures in their entirety. Instead, Wiley chooses to depict individual details and forms that are often lost in long-shot photography. His images deliberately flatten three-dimensional objects into dense composites of texture, color, and shape and heighten our attenuation to how we see the world around us, offering fragments of perceptual space that privilege sensory experience over narrative and form over content.
Colors:
Other related works, blended automatically
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Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
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Keith Tyson
The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence...
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Ryan Gander
2012Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...
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Andrew Grassie
2009In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces...
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Ian Wallace
1986Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world...
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Rodrigo Braga
2009Braga’s video work Provisão (2009) opens with a still shot of a clearing in a forest, shoots of grass emerging from a muddy brown patch of seemingly dry and barren earth...
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Toby Ziegler
2005The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection...
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Jeremy Deller
2012Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...
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Tomoko Yoneda
2010Yoneda’s Japanese House (2010) series of photographs depicts buildings constructed in Taiwan during the period of Japanese occupation, between 1895 and 1945...
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Burak Delier
2013Burak Delier’s sculpture Homage to Balotelli’s Missed Trick is a symbol of resistance to the demand for success and performance...
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Tacita Dean
2001The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...