Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
Chris Wiley produces photographs that question how we experience our built environments. Trained in contemporary art theory, his practice interrogates notions of the real by subverting familiar tropes in architectural photography. His prints do not depict buildings and structures in their entirety. Instead, Wiley chooses to depict individual details and forms that are often lost in long-shot photography. His images deliberately flatten three-dimensional objects into dense composites of texture, color, and shape and heighten our attenuation to how we see the world around us, offering fragments of perceptual space that privilege sensory experience over narrative and form over content.
The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence...
Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...
The photographic quality of the film Baobab is not only the result of a highly sophisticated use of black and white and light, but also of the way in which each tree is characterized as an individual, creating in the end a series of portraits...
In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence...
Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...
Burak Delier’s sculpture Homage to Balotelli’s Missed Trick is a symbol of resistance to the demand for success and performance...
Auction of the Week: Rare Fancy Vivid Yellow Diamond Achieves $5.5 Million - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe An Exceptional Unmounted Fancy Vivid Yellow Diamond...
88% of Surveyed High-Net-Worth Art Collectors Interested in Buying NFTs Cryptonews News 88% of Surveyed High-Net-Worth Art Collectors Interested in Buying NFTs Fredrik Vold @fredrik-vold 30 Mar 2022 · 3 min read Fredrik Vold @fredrik-vold m 88% of Surveyed High-Net-Worth Art Collectors Interested in Buying NFTs Source: Adobe/immimagery A whopping 88% of high-net-worth (HNW) traditional art collectors say they are interested in buying digital art in the form of NFTs , a new report on the art market for 2022 has found...
I Was Afraid Of Critiquing Until I Met A Bunch Of Critics: Reflections on AAMR 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Hello I'm Nik on Unsplash June 23, 2021 By Sukhbir Cheema When you hear the word “critic”, what image do you conjure? I used to imagine a bespectacled person; bookish, extremely serious, and tough to please...
Georges Rousse — Couleurs — Galerie Catherine Putman — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Georges Rousse — Couleurs — Galerie Catherine Putman — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Georges Rousse — Couleurs Exposition Photographie Georges Rousse, Bilbao, 2023 Impression jet d’encre sur hahnemühle — 145 × 115 cm © D...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...
In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...
In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...