– In which a storm breaks out in a computing division and its simulation is turned inside out – Fourth episode of The Unmanned series, “The Uncomputable” is the story of a failure: the building in the northern plains of Scotland of a giant climate prediction factory by meteorologist Lewis Fry Richardson. This enormous inverted terrestrial globe supposed to host 64,000 women-computers and able to forecast the world weather was never built. Partly shot in a wind tunnel (used for aerodynamics simulation), this episode shows the impossible attempt at building the factory and the collapse of its hypothesis of a global computation. As a storm breaks out over the construction site for the simulation, the film itself and all of the parameters are progressively turned inside out.
The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology. For them, cinema is a technological invention which fundamentally transforms our relationship to the world. Giraud and Siboni are fascinated by technological acceleration. So much so that they imagine the possibility of a cinema without a human figure; one which does not subject bodies to the frame, nor bend gestures to duration. Each of their films bring radically different temporalities that are foreign to our present. They choose to film in hidden places, like the particle accelerator under the Louvre museum in La Mesure Louvre (2011), or abandoned places like the Greek temple in Bassae-Bassae (2012) where human absence is hollowly felt. Giraud and Siboni are also inspired by popular culture, micro-histories and major political conspiracies.
The Best Bay Area Theater We Saw In 2023 | KQED Skip to Nav Skip to Main Skip to Footer Arts & Culture The Best Bay Area Theater We Saw In 2023 Nicole Gluckstern and David John Chávez Dec 6 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Sofia Ahmad and Neamah Hussein in ‘Closure’ at Golden Thread’s 2023 ReOrient Festival...
Olive Martin & Patrick Bernier: New Kahnawaké “From my house I take the Proxad, Nantes and Brittany, to Paris where I get on the Teleglobe which takes me to Montreal via New York, and then finally take the Mohawk which drops me off at the 7 Sultans Casino” (extract from the commentary based on an internet connection route plotted by Traceroute*) The Mohawk, the emblematic Frontier River named during the period of American colonization...
Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...
Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag...
How LGBTQ+ Hip-Hop Artists Found Their Voices and Changed Culture | KQED Skip to Nav Skip to Main Skip to Footer That's My Word How LGBTQ+ Hip-Hop Artists Found Their Voices and Changed Culture Nastia Voynovskaya Dec 6 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Tupac, Queen Latifah and Page Hodel at Hodel's LGBTQ+ party, The Box, in the early '90s...
Shahbazi’s early drawings in the series “Oh No…” are reminiscent of comic strips or children’s coloring books...
Radical Digital Paintings is a collection of 239 works that were painted from 2016–2021; one exemplary image from the series is #98 ...
Taylor Swift doesn’t want us to know about her carbon footprint | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Music Opinion The singer has threatened legal action against a 22-year-old student who has been tracking her private jet, claiming his actions constitute ‘stalking’ 8 February 2024 Text Diyora Shadijanova Taylor Swift doesn’t want you to know that she flew her private jet 13 minutes from one side of a city to another, the same journey which takes 30 minutes by car ...
She Creates: Nine Years Theatre's "FAUST/US 浮世/德" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Crispian Chan April 1, 2019 By Daniel Teo (1400 words, six-minute read) All eyes are on Cherilyn Woo in her solo directorial debut for Nine Years Theatre (NYT), FAUST/US ...
The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style...