– In which a storm breaks out in a computing division and its simulation is turned inside out – Fourth episode of The Unmanned series, “The Uncomputable” is the story of a failure: the building in the northern plains of Scotland of a giant climate prediction factory by meteorologist Lewis Fry Richardson. This enormous inverted terrestrial globe supposed to host 64,000 women-computers and able to forecast the world weather was never built. Partly shot in a wind tunnel (used for aerodynamics simulation), this episode shows the impossible attempt at building the factory and the collapse of its hypothesis of a global computation. As a storm breaks out over the construction site for the simulation, the film itself and all of the parameters are progressively turned inside out.
The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology. For them, cinema is a technological invention which fundamentally transforms our relationship to the world. Giraud and Siboni are fascinated by technological acceleration. So much so that they imagine the possibility of a cinema without a human figure; one which does not subject bodies to the frame, nor bend gestures to duration. Each of their films bring radically different temporalities that are foreign to our present. They choose to film in hidden places, like the particle accelerator under the Louvre museum in La Mesure Louvre (2011), or abandoned places like the Greek temple in Bassae-Bassae (2012) where human absence is hollowly felt. Giraud and Siboni are also inspired by popular culture, micro-histories and major political conspiracies.
Olive Martin & Patrick Bernier: New Kahnawaké “From my house I take the Proxad, Nantes and Brittany, to Paris where I get on the Teleglobe which takes me to Montreal via New York, and then finally take the Mohawk which drops me off at the 7 Sultans Casino” (extract from the commentary based on an internet connection route plotted by Traceroute*) The Mohawk, the emblematic Frontier River named during the period of American colonization...
Taylor Swift doesn’t want us to know about her carbon footprint | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Music Opinion The singer has threatened legal action against a 22-year-old student who has been tracking her private jet, claiming his actions constitute ‘stalking’ 8 February 2024 Text Diyora Shadijanova Taylor Swift doesn’t want you to know that she flew her private jet 13 minutes from one side of a city to another, the same journey which takes 30 minutes by car ...
Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag...
Shahbazi’s early drawings in the series “Oh No…” are reminiscent of comic strips or children’s coloring books...
Podcast 76: The Runaway Company | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Michael Chow February 27, 2020 Duration: 30 min Nabilah Said speaks to Izzul Irfan and Mahirah Abdul Latiff of The Runaway Company about structures, succession and misconceptions about their work...
CIRCA collaborates with Anne Imhof to present #YOUTH24 - a 24-hour print fundraiser...
The Wedding is a silent film, a probing observation of marriage rituals in Qatar in which we soon notice that there is not a single woman visible...
Political art stays peripheral at Art Basel in Miami Beach Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 news Political art stays peripheral at Art Basel in Miami Beach Fair’s stands largely remain neutral despite multiple hot-topic issues in the world today Gareth Harris and Tim Schneider 9 December 2023 Share Julie Buffalohead’s Our Bodies Our Choice , in the Meridians section, references wide-ranging injustices against Native Americans Photo: Liliana Mora Should art engage with politics or offer an escape from politics? This is the question dealers, artists and collectors have tended to face in the run-up to Art Basel in Miami Beach from its very first outing...
Quagga-mire: Great Lakes shipwrecks slowly consumed by invasive molluscs Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Archaeology news Quagga-mire: Great Lakes shipwrecks slowly consumed by invasive molluscs Preserved for centuries in pristine condition, submerged archaeological sites are now being destroyed by quagga mussels Kimberly Hatfield 15 December 2023 Share The Milwaukee , which sank in 1929 while transporting rail cars full of Kohler bathtubs, now blanketed in mussels Wisconsin Historical Society The unique conditions of the Great Lakes of North America once fostered a museum-like time capsule for important submerged archaeological sites...
The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style...
Neon Saltwater Drenched a Gas Station in Neon Las Vegas; “Cherry Lake” | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Seattle-based digital artist and color virtuoso Abigail Dougherty, known in the art world as Neon Saltwater, recently unveiled her latest installation in Downtown Las Vegas, an eye-popping spectacle you can appreciate in the images here...
The Korean title for U: Repair the cowshed after losing the cow = Too late is —a famous Korean proverb meaning “you are doing something when you are already late to do it”...