1542-a flood ("The Unmanned" series)
2018 - Film & Video (Film & Video)
26 min
Fabien Giraud & Raphael Siboni
– In which an intelligence going back to its place of origin discovers the agony of gods on which it thrives – Seventh and last episode of The Unmanned , “a flood” is set in 1542 as the first conquistadors enter the land later to be known as the Silicon Valley. Mining the colonial past of the region, and entirely generated and edited with an autonomous artificial intelligence system, this film for and by machines only features the return of an intelligence to its place of origin and the death of the animal gods who used to live in it. Closing the series onto itself with a machine trained solely on its first episode (“2045 – The Death of Ray Kurzweil”), it shows the wandering of an inhuman vision trying to revive meaning by recognizing itself on the god’s corpses. The Unmanned, is composed of several 26min episodes, it is a fictional documentary about the history of humanity faced with technology acceleration. Each episode dramatizes a “singular” encounter between man and machine. Each episode is filmed with a different camera (a preprogrammed machine or a drone). The title The Unmanned – in French, ‘an uninhabited machine’ highlights perfectly the subject and the method used by the artists. In coproduction with Casino Luxembourg and KADIST and with the support of Fondation d’Entreprise Ricard, CNC – DICRéAM – Ministère de la Culture et de la Communication, and Institut Français – Consulat Général de France à San Francisco.
The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology. For them, cinema is a technological invention which fundamentally transforms our relationship to the world. Giraud and Siboni are fascinated by technological acceleration. So much so that they imagine the possibility of a cinema without a human figure; one which does not subject bodies to the frame, nor bend gestures to duration. Each of their films bring radically different temporalities that are foreign to our present. They choose to film in hidden places, like the particle accelerator under the Louvre museum in La Mesure Louvre (2011), or abandoned places like the Greek temple in Bassae-Bassae (2012) where human absence is hollowly felt. Giraud and Siboni are also inspired by popular culture, micro-histories and major political conspiracies.
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