26 min
– In which an intelligence going back to its place of origin discovers the agony of gods on which it thrives – Seventh and last episode of The Unmanned , “a flood” is set in 1542 as the first conquistadors enter the land later to be known as the Silicon Valley. Mining the colonial past of the region, and entirely generated and edited with an autonomous artificial intelligence system, this film for and by machines only features the return of an intelligence to its place of origin and the death of the animal gods who used to live in it. Closing the series onto itself with a machine trained solely on its first episode (“2045 – The Death of Ray Kurzweil”), it shows the wandering of an inhuman vision trying to revive meaning by recognizing itself on the god’s corpses. The Unmanned, is composed of several 26min episodes, it is a fictional documentary about the history of humanity faced with technology acceleration. Each episode dramatizes a “singular” encounter between man and machine. Each episode is filmed with a different camera (a preprogrammed machine or a drone). The title The Unmanned – in French, ‘an uninhabited machine’ highlights perfectly the subject and the method used by the artists. In coproduction with Casino Luxembourg and KADIST and with the support of Fondation d’Entreprise Ricard, CNC – DICRéAM – Ministère de la Culture et de la Communication, and Institut Français – Consulat Général de France à San Francisco.
The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology. For them, cinema is a technological invention which fundamentally transforms our relationship to the world. Giraud and Siboni are fascinated by technological acceleration. So much so that they imagine the possibility of a cinema without a human figure; one which does not subject bodies to the frame, nor bend gestures to duration. Each of their films bring radically different temporalities that are foreign to our present. They choose to film in hidden places, like the particle accelerator under the Louvre museum in La Mesure Louvre (2011), or abandoned places like the Greek temple in Bassae-Bassae (2012) where human absence is hollowly felt. Giraud and Siboni are also inspired by popular culture, micro-histories and major political conspiracies.
– In which a storm breaks out in a computing division and its simulation is turned inside out – Fourth episode of The Unmanned series, “The Uncomputable” is the story of a failure: the building in the northern plains of Scotland of a giant climate prediction factory by meteorologist Lewis Fry Richardson...
National Academy of Design Presents “Sites of Impermanence” Skip to content Willie Cole, “Five Beauties Rising” (2012), suite of five prints, intaglio and relief (courtesy the artist) The National Academy of Design’s new exhibition , Sites of Impermanence , celebrates the contributions of the 2023 Class of National Academicians: Alice Adams, Sanford Biggers, Willie Cole, Torkwase Dyson, Richard Gluckman, Carlos Jiménez, Mel Kendrick, and Sarah Oppenheimer...
– In which a storm breaks out in a computing division and its simulation is turned inside out – Fourth episode of The Unmanned series, “The Uncomputable” is the story of a failure: the building in the northern plains of Scotland of a giant climate prediction factory by meteorologist Lewis Fry Richardson...
– In whiche a lemyng starre returneth in the yeer foretolde and alle thing that spak to us turneth ayeyn to silence – Sixth episode of The Unmanned and sharing the same camera movements as the episode “1997 – The Brute Force”, “Mil troi cens quarante huyt” refers to the appearance of a comet in 1759 – thus validating the computation and rational prediction of its return by the British astronomer and mathematician Edmond Halley...
– In which he changes the rules of the game and all imitations are suddenly interrupted – Third episode of The Unmanned series and replicating the editing structure of “1834 – La Mémoire de Masse”, “The Outlawed” takes place in August 1953 on the island of Corfu, in Greece, at the Club Méditerranée resort where Alan Turing spent his last summer...
– Thisstoryoffriedrichkurzweiliwanttotellit- myselfhowhelivedinthisroomandh – Inspired by the writings of the feral child Kaspar Hauser and told by the young Friedrich, both father and son of Ray Kurzweil, this story unfolds on the microscope images of a blade cutting through metal...
Soft Materials is a curious, touching but also disturbing sequence of confrontations between two people: a man and a woman, and machines...
Press Release: Art21 to Release New Episode of “Art in the Twenty-First Century” | Art21 Our Series Art in the Twenty-First Century Extended Play New York Close Up Artist to Artist William Kentridge: Anything Is Possible Specials Art21.live An always-on video channel featuring programming hand selected by Art21 Playlists Curated by Art21 staff, with guest contributions from artists, educators, and more Art21 Library Explore over 700 videos from Art21's television and digital series Latest Video 16:41 Add to watchlist Guerrilla Girls in "Bodies of Knowledge" Art in the Twenty-First Century Season 11 June 23, 2023 Search Searching Art21… Welcome to your watchlist Look for the plus icon next to videos throughout the site to add them here...
El Salto (The Jump/The Waterfall) by Juan Covelli depicts the Salto de Tequendama, a waterfall located on the outskirts of southwest Bogota...