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For the exhibition 1440 sunsets per 24 hours at KADIST Paris in 2017, Haig Aivazian presented a sprawling installation, which sought to enact various instances of the deployment of light and darkness within public space and sports, reflecting on the double-edged abilities of lighting systems to expose, highlight or dissimulate subjects. For the installtion 1,2,3 soleil ! the space was structured like a material index, posing limbs and skins from stadiums and public spaces —namely floodlights, electric poles and asphalt— alongside abstract drawings inspired by policing and sporting data visualization iconography. For the artist, the stadium as a social space offers a lot of insight about more widespread social infrastructure, such as security regimes. In light of the history of technology, big data, and their relationship with government surveillance, places such as the Stade de France — the theatre of, at the same time, concerts, sporting events or terrorist attacks — become highly symbolical and profoundly political.
Haig Aivazian is an artist and a writer, born in 1980 in Beirut and currently based there. Using performance, video, drawing, installation and sculpture, his work weaves together personal and geopolitical, micro and macro narratives in its search for ideological loopholes and short circuits.
This work is part of an ongoing project that looks at international sports competitions as a revealing element of nationalistic aspirations which present contradictions...
The West Hollywood Artist Who Immortalised LA’s Golden Boys | AnOther A new exhibition in New York showcases the work of Kenneth Kendall, an artist who sculpted James Dean, Marlon Brando and more in the bohemian atmosphere of late 20th-century Los Angeles February 06, 2024 Text Miss Rosen Back in the 1950s, Hollywood’s fabled Melrose Avenue was still a sleepy street home to cabinetmakers and print shops catering to the local community...
Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Martha Wilson — Invisible, Works on Aging (1972-2022) — Frac Sud, Cité de l’art contemporain — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Martha Wilson — Invisible, Works on Aging (1972-2022) Exposition Photographie Martha Wilson, Beastly + Beauty, 1974 et 2009 Photographies noir et blanc, texte, 43,2 × 59,7 cm, édition de 3 © DR Martha Wilson Invisible, Works on Aging (1972-2022) Encore 7 mois : 1 juillet 2023 → 4 février 2024 Le Frac Sud — Cité de l’Art Contemporain est heureux de consacrer, après Martha Wilson in Halifax: 1972-1974 au Centre Pompidou en 2021, sa première exposition monographique d’envergure en France à Martha Wilson, figure pionnière et tutélaire des engagements féministes au travers de l’art rerprésentée par la galerie michèle Didier...
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This work is part of an ongoing project that looks at international sports competitions as a revealing element of nationalistic aspirations which present contradictions...
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Prishtina Named European City of Sports 2024: A Boost for Sports in Kosovo's Capital - Prishtina Insight Home Kallxo Jeta në Kosovë Drejtësia në Kosovë Gazeta JNK Log In Subscribe News Features Opinion Guide Big Deal Archive Follow @prishtinsight Sports Hall/Courtesy of Podujeva Municipality Prishtina Named European City of Sports 2024: A Boost for Sports in Kosovo’s Capital The Kosovar capital has been declared the European City of Sports for 2024, anticipating significant investments in sports infrastructure and activities throughout the coming year...
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