Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
Chris Wiley produces photographs that question how we experience our built environments. Trained in contemporary art theory, his practice interrogates notions of the real by subverting familiar tropes in architectural photography. His prints do not depict buildings and structures in their entirety. Instead, Wiley chooses to depict individual details and forms that are often lost in long-shot photography. His images deliberately flatten three-dimensional objects into dense composites of texture, color, and shape and heighten our attenuation to how we see the world around us, offering fragments of perceptual space that privilege sensory experience over narrative and form over content.
From dream to dystopia: The cultural critic in the age of pandemic | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Ryuji Miyamoto May 21, 2020 By Katrina Stuart Santiago (1,000 words, 6-minute read) February 2020 seems like years ago, and it feels like escapism to even go back to that time...
Visitor numbers for UK museums show signs of recovery Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums news Visitor numbers for UK museums show signs of recovery Figures for the first half of 2023 show an increase over the year before, although still below their pre-Covid peaks Gareth Harris and Lee Cheshire 8 December 2023 Share Tate Britain’s rehang was revealed in May 2023...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...
Podcast 101: M1 Singapore Fringe Festival 2022 | ArtsEquator Skip to content ArtsEquator’s theatre podcast is back in 2022, with critics Lee Shu Yu, Matthew Lyon and Naeem Kapadia in a post-show conversation about three productions at M1 Singapore Fringe Festival 2022: The Essential Playlist by The Second Breakfast Company (Singapore), Being: 息在 by 微 Wei Collective and Collaborators (Singapore) and OK Land by Circle Theatre (Thailand)...
Her work Al final del arcoiris (At the end of the rainbow, 2015) is a bundle of bills from Chile, Venezuela, Brazil, Colombia, Nicaragua, and Costa Rica, arranged by color to form a tight spiraling rainbow held close with a rubber band...
German artist Neo Rauch on ‘punching back’ at critics as he holds second solo exhibition in Hong Kong | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more German artist Neo Rauch with his “Die Nachtfalterin” (2023) at David Zwirner gallery in Central, Hong Kong, where he is holding his latest solo exhibition...
You Never Thought That Hip-Hop Could Take It This Far | KQED Skip to Nav Skip to Main Skip to Footer Arts & Culture You Never Thought That Hip-Hop Could Take It This Far Pendarvis Harshaw Dec 8 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Black Thought of the Roots performs at the BottleRock music festival in Napa, May 28, 2017...
Tom Nicholson’s Comparative Monument (Palestine) engages a peculiar Australian monumental tradition: war monuments that bear the name “Palestine”...
Graffiti Tower Unleashed: An Overnight Sensation During Art Basel Miami | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY “So I count 17, 18, 19, 20 people that are not from Miami,” Alan Ket observes as he scans the office tower at Biscayne and 1st Street, now an outstanding crown jewel in Miami’s graffiti scene...
In Bodily Study of Unthinking Groups, Harrison combines two disparate materials into one stratified stack: automotive clay (used in detailing cars) forms the earthy base, while fragments of zebra skull become imbedded in this falsified soil...