For 7 Materials , Tao Hui films seven scenes selected from the countless scenarios in his notebooks, including a group of ethnic minority girls in a spoil pit in the rain, a reporter interviewing a corpse, and a deity sailing on the river. Due to the lack of internal logical order, these one-minute video “materials” are not played in a fixed sequence but randomly. For Tao Hui, to film his diary is to adorn and embellish his memories before evoking and reviving their spirits. For 1 Character , Tao Hui performs yet another act of necromancy. An audio recording revels the identity of the missing subject: the character is a dead woman, middle-aged, with a coarse voice and an accent. Escaping the routine of country life, she realizes that she is unable to abandon the internal experiences of home after coming to the city and suffers the pains of its deception in utter solitude. The sense of displacement that the artist stresses is not only a result of visual and audio montage or in the audio narrative, but also a product of the identity loss and cultural crisis in China.
Tao Hui indeed believes that fairy tales can ease people’s intensive mind. Working with various mediums including graphic arts, painting, video, objects and installation, Tao Hui uses technological procedures and elements from Chinese tradition to question the tenets of globalization, virtual relationships and hegemonic thinking. Through his works, he hopes to force viewer to confront their own cultural history and system of belief.
Qui vivra verra, Qui mourra saura is an installation by Minia Biabiany composed of the plan of a house made out of strips of salt, and a “garden” made of ceramic pieces, hanging from the ceiling and on the floor, and non woven fabric...
Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris Login Newsletter Twitter Facebook Anne Deguelle — L’Arctique fantôme — L'ahah Moret — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Anne Deguelle — L’Arctique fantôme Exhibition Photography Upcoming Anne Deguelle, Glacier, 2014, 40 × 53 cm © Adagp, Paris, 2023 Anne Deguelle L’Arctique fantôme In about 2 months: January 27 → February 17, 2024 vernissage le 27.01.24, 17h → 21h exposition du 27.01 → 17.02.2024 L’ahah #Moret 24-26, rue Moret, 75011 Paris L’ahah est heureuse de présenter cet hiver en L’ahah #Moret une série singulière de photographies dans l’œuvre de l’artiste Anne Deguelle ...
The word Coyolxauhqui refers to femicide or the killing of women in rural Mexico on the basis of gender...
n the opening scene of the video Power (La Fuerza) we see a mature woman asleep in a dark room...
Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...
‘I thought I was god’s gift to China’: art gallery owner Pearl Lam on her ‘colonial attitude’ and embracing her ethnicity | South China Morning Post ‘I thought I was god’s gift to China’: art gallery owner Pearl Lam on her ‘colonial attitude’ and embracing her ethnicity Profile Art gallery owner Pearl Lam on growing up as the daughter of property tycoon Lim Por-yen, losing her colonial mindset and celebrating diversity Kate Whitehead + FOLLOW Published: 7:45am, 3 Dec, 2023 Why you can trust SCMP I was born in Hong Kong and lived in Jardine’s Lookout...
Marco Almaviva's Explorations Beyond the Canvas | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Louidgi Beltrame — La huaca pleure — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris Login Newsletter Twitter Facebook Louidgi Beltrame — La huaca pleure — Le Crédac, Centre d’art contemporain d’Ivry — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Louidgi Beltrame — La huaca pleure Exhibition Mixed media Upcoming Visuel créé par le Studio Kiosk, d’après une encre sur toile de Louidgi Beltrame Louidgi Beltrame La huaca pleure In about 1 month: January 21 → March 31, 2024 Louidgi Beltrame has been developing a research in Peru since 2012...
After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015...
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Coco Fusco "Tomorrow, I will become an Island" KW Institute of Contemporary Art / Berlin | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
What More Ballet Might Be: William Forsythe at da:ns series 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Ian Whalen Sangeun Lee and Raphael Coumes-Marquet in "Impressing the Czar" February 18, 2019 By Chan Sze-Wei (687 words, four-minute read) In 1987, William Forsythe created a ballet for the Paris Opera with a young Sylvie Guillem and Laurent Hilaire in the central duet...